Reading List 2008

I got a massive amount of writing done in 2008. That made it made it a strange year for reading. Early on in the year I appear to have had a ghosts and devils fixation. What was I thinking, reading Will Self, How the Dead Live and Mikhail Bulgakov, The Master and Margarita back to back?

Between January and May I read and re-read a lot of chapters, articles and essays related to the texts I was working with in the Tributaries & Text-Fed Streams electronic literature project. Many books were harmed in the making of that work, some are pictured here, but few of those fragmentary readings are represented in the list below.

I had a great but short lived burst of short story reading in the spring while I was writing the postcard stories for the in absentia electronic literature project, but once that piece was launched I had to focus on finishing writing my first novel, Words the Dog Knows. It was a cold, wet summer, which was fine as I barely left my apartment. To get through the long days of writing toward impossibly short deadlines I soon realized that I couldn’t read anything even remotely resembling anything I would ever write. So it was a summer of long post-colonial novels written by American women.

I thought I’d get back to my regular reading habits once Words the Dog Knows went to the printer, but despite a brief window were I got to catch up on a few books written by friends, most of my fall reading was muddled by travel. Between book tours, conferences, lectures and meetings I was on the road non-stop from mid-October to mid-November. All I can say is, Gulliver’s Travels makes great sense on trains and airplanes.

My New Year’s reading resolution: to read Don Quixote in it’s entirety. Toward this end I have booked a one week vacation on a Cuban beach. The things I do for literature!

Here, from last to first, are books read in 2008:

  • Angela Carter, Nights at the Circus
  • Sherwood Anderson, Winesburg, Ohio
  • Carson McCullers, The Heart is a Lonely Hunter
  • Jonathan Swift, Gulliver’s Travels
  • Salman Rushdie, ed., Best American Short Stories 2008
  • Jonathan Lenthem, Girl in a Landscape
  • Marguerite Duras, Moderato Cantabile
  • Paul D. Miller, Rhythm Science
  • Mariko & Jillian Tamaki, Skim
  • Ernest Hemingway, In Our Time
  • Emily Holton, Dear Canada Council / Our Starland
  • Liane Keightly, Seven Openings of the head
  • Jacques Derrida, Paper Machine
  • N. Katherine Hayles, Writing Machines
  • Joe Brainard, I Remember
  • Harold Brodkey, Stories in an Almost Classical Mode
  • Cynthia Ozick, Trust
  • Maya Merrick, The Hole Show
  • Kate Pullinger, A Little Stranger
  • Kazuo Ishiguro, Never Let Me Go
  • Leni Zumas, Farewell Navigator
  • Jason Camlot, The Debaucher
  • Keri Hulme, The Bone People
  • Ha Jin, Waiting
  • Amy Tan, The Hundred Secret Senses
  • Barbara Kingsolver, The Poisonwood Bible
  • Robertson Davies, Tempest-Tost
  • Claire Messud, The Hunters
  • Joy Williams, State of Grace
  • Julie Doucet, 365 Days
  • Barry Hannah, Geronimo Rex
  • Jeannette Walls, The Glass Castle
  • Steven Heighton, The Shadow Boxer
  • Michael Crummey, Flesh and Blood
  • Kerstin Ekman, Blackwater
  • Kiran Desai, The Inheritance of Loss
  • G. V. Desani, All About H. Hatterr
  • Michale Hoeullebecq, The Elementary Particles
  • Rick Moody, Demonology
  • Goethe, Faust
  • Christopher Funkhouser, Prehistoric Digital Poetry
  • Marcus Aurelius, Meditations
  • Jeff Parker, The Back of the Line
  • Etgar Keret, Missing Kissinger
  • Raymond Carver, Short Cuts
  • Lorrie Moore, Like Life
  • Maurice Blanchot, Death Sentence
  • Jean Rhys, Wide Sargasso Sea
  • Eva Figes, Light
  • Elizabeth Bishop, The Complete Poems 1927-1979
  • Maureen Adams, Shaggy Muses
  • Mary Robison, Why Did I Ever
  • Valerie Joy Kalynchuk, All Day Breakfast
  • Lawrence Weschler, Mr. Wilson’s Cabinet Of Wonders
  • Flan O’Brien, At Swim-Two-Birds
  • Rilke, Duino Elegies & The Sonnets to Orpheus
  • Anya Ulinich, Petropolis
  • David McGimpsey, Sitcom
  • Jeff Parker, Ovenman
  • Will Self, How the Dead Live
  • Mikhail Bulgakov, The Master and Margarita
  • Mark Amerika, META/DATA
  • . . . . .

    Wired Women Salon # 70 :: Top Chrono

    The time has come for our 2008 TOP CHRONO Salon! Once again, Studio XX will showcase the work of talented women artists who will share sneak peeks of their latest artworks, productions or performances. Audiences will enjoy performance pieces, presentations with images and sound, spoken word, music, video and other magnificent surprises true to our artform. Invited artists will be subject to the playful random rules of the universe : each will have between 4 to 7 minutes to execute their presentation. The lenght will be determined by the cast of the dice!

    Join us for a fabulous celebration capping off a prolific year of creative endeavours !

    With : Lorella Abenavoli, Beewoo, J.R. Carpenter, Darsha Hewitt, Virpi Kettu, Maroussia Lévesque, Hélène Prévost, Nelly-Ève Rajotte and Victoria Stanton.

    Wired Women Salon # 70 [Dec. 18] :: Top Chrono
    Thursday, December 18th 2008, from 6:00 to 8:00 PM
    @ Geordie Theatre Space:: 4001 Berri St., Ground Floor Montreal
    Entrance Fee : 6$, free for Studio XX members.

    *** Top Chrono Special : one-night only !
    Become a member of Studio XX at the event and receive a complimentary copy of our limited edition xxxboîte : http://www.studioxx.org/en/xxxboite

    STUDIO XX
    4001 Berri St., Suite 201, Montreal (Quebec) H2L 4H2
    Between Roy and Duluth
    Sherbrooke Metro, or the 24 bus (Sherbrooke)
    http://www.studioxx.org

    Information :: 514.845.7934
    . . . . .

    I’m in Karlsokrona, Sweden.

    It’s dark at the moment, and very far from Montreal. It took one taxi, two planes, two passport controls, two trains, eighteen hours and six time zones to get here. The taxi took the best route to the airport. The first plane was empty. It took me to Washington DC. The second plane was full. It took me to Copenhagen. It took eight hours. A long-haul red-eye spent in seat 46B – on the isle in the last row. Right next to the toilet. Which is right next to where the food comes out. I was enraged about this arrangement until I met my seatmate. 46A happened to be a Norwegian novelist named Astrid, a woman around my age who was on her way back from Mexico City. We instantly became Team Last Row and determined to make the best of it. We talked for hours about books and writing, socialism and publishing, travel and translation. I got the low down on the lay of the Scandinavian literary landscape. And an invitation to write an article for a Norwegian authors’ website that Astrid edits. Astrid got a copy of my novel. She is going to be the first person in Norway to read Words the Dog Knows. Sadly, none of her three novels have been translated into English yet. We wrote reading recommendations for each other in our matching black notebooks and got extra free wine because we were in such good spirits despite how hard our seats sucked. The flight crew knew enough to be grateful for our good humour.

    We parted ways in Copenhagen. I followed my Swedish host Talan’s Map and How to Catch a Train instructions to the letter. They were excellent instructions, which included such all important details as which ticket booth will take Canadian cash and the amazing (to someone from Quebec) fact that the conductors on Swedish trains are required by law to speak English. The instructions sort of fell apart when none of the automated ticket machines were working and long lines formed at the ticket booths. I eventually managed to procure a ticket to Karlskrona and soon I was on a train speeding through the Swedish countryside. Technically the train was going to Karlskrona, but not all the way. I wound up waiting for an hour in a freezing cold station somewhere half way between Copenhagen and Karlskrona for another train to take me the rest of the way. Once I figured out where the one hot water heater was hiding in the cavernous cold, and huddled up to it, I was free to be amused by the waiting room cast of small town characters culled from the casts of My Life as a Dog and Mon Uncle. An old man spent the entire hour meticulously washing the flagstone floor by pushing a rag mop along with his boot, for example.

    On the second train, a man came by interviewing passengers about their use of the train system. The whole car listened with attention as the questions were translated into English for me. I’m sure I skewed the survey’s demographic considerably. Where did you board the train? Copenhagen. What was your point of origin? Montreal. What is your final destination? Karlskrona. What is the purpose of your travel to Karlskrona? To give a lecture. And how often do you use this train service? This is my first time. By this time the whole train car was listening. Soon a second interview ensued, this one from my Swedish seatmate, a gap-toothed affable chap, who found it incredible that I would travel all this way to give one lecture and then go home. Well, I’m giving a workshop too, I explained. He apologized for the cold, lifted my suitcase into the overhead rack for me, lowered the blind so the sun wouldn’t blind me, let me sleep for a while, then tapped my knee to say good bye when he got up to leave. Because we were old friends by then I guess.

    Speaking of friends, my friend Talan met me at the Karlskrona train station and walked me too my hotel. I have Talan to thank for being here. When he first invited me, over a single malt scotch in a hotel bar in the small town of Vancouver, Washington, I never thought it would actually happen. And then there we were walking through the streets of cold Karlskrona. Once I was checked into my hotel, Talan left me alone to recuperate from my travels. He ran off to a meeting and then home to prepare a welcoming reception for me set to take place at his place later this evening. Which is almost now.

    Now I’ve had a nap and my brain is clearer, though body has no idea what time it is. I’m starving. I’m sucking on a cough drop trying to stay alive the next 50 minutes until Lissa comes to pick me up to take me to the reception at Talan’s, being thrown in honour of my having come all this way. Rumor has it there will be smoked baltic salmon and caviar and cheese and crackers and single malt scotch! Come on cough drop, keep me in this thing!
    . . . . .

    “Wyoming is Haunted” wins the QWF Carte Blanche Quebec Prize

    Last night at the annual Quebec Writers’ Federation Awards Gala at the Lion d’Or in Montreal my recent non-fiction story, Wyoming is Haunted, was awarded the Carte Blanche Quebec Prize. Carte Blanche, the literary review of the Quebec Writers’ Federation, is published online twice a year. The Carte Blanche Quebec prize is awarded once a year in recognition of an outstanding submission by a Quebec writer. The prize is sponsored by The Quebec Writers’ Federation.

    Wyoming is Haunted is a nonfiction narrative of some of the adventures fellow fiction-writer Karen Russell and I had while in residence at the Ucross Foundation, an artist in residence program located on a 22,000 acre ranch in the foothills of the Big Horn Mountains. The piece first appeared Carte Blanche 7 earlier this year. Two other of my short stories have also appeared in earlier issues: Aerial Photograph & Wasn’t One Ocean.

    Thanks QWF and Carte Blanche, for all you do for English writing in Quebec, even when it’s from Wyoming. Thanks CALQ for helping me get out way out west. Thanks Ucross for accepting me and Karen Russell at the same time. And thanks Wyoming for scaring the heck out of us. As this photo clearly indicates, Wyoming is pretty damn haunted.

    “As we walked we invented fictional colour-names for things, with Flannery O’Connor’s rat-coloured car as our model, though, as Karen noted, makeup colour-names would also be a great source of inspiration. The road was a rawhide strap. The fauns were faun coloured! The Angus cows were so black they looked hollow.”

    Excerpted from: Wyoming is Haunted, J. R. Carpenter
    Winner of the 2008 Carte Blanche Quebec prize

    . . . . .

    WORDS THE DOG KNOWS – Toronto Launch – Monday, November 17, 2008

    We invite you to join us in celebration of the publication of Emily Holton’s latest book, Dear Canada Council/Our Starland (Montreal: Conundrum Press) and J.R. Carpenter’s first novel, Words the Dog Knows (Montreal: Conundrum Press). Animations, music, and two beautiful books – take your pick! – they’re all great excuses to come drink too much in Parkdale on a Monday night.

    A This Is Not A Reading Series event presented by Pages Books & Magazines, Conundrum Press and EYE WEEKLY.

    Monday, November 17, 2008, 7:00pm
    Gladstone Hotel Ballroom
    1214 Queen Street West
    Toronto, ON

    J. R. Carpenter’s long-awaited first novel Words the Dog Knows follows the paths of a quirky cast of characters through the Mile End neighbourhood of Montreal. Theo and Simone set about training Isaac the Wonder Dog to: sit, come, stay. Meanwhile, he has fifty girlfriends to keep track of and a master plan for the rearrangement of every stick in every alleyway in Mile End. He introduces Theo and Simone to their neighbours. He trains them to see with the immediacy of a dog’s-eye-view. Words the Dog Knows isn’t a story about a dog. It’s a story because of a dog. Walking though the the jumbled intimacy of Montreal’s back alleyways day after day, Theo and Simone come to see their neighbourhood ­ and each other ­ in a whole new way. For more information on Words the Dog Knows please visit: http://luckysoap.com/stories/wordsthedogknows.html

    Emily Holton’s novella Dear Canada Council is an illustrated plea for plane tickets, in which the narrator details her plans to “found a town”. Complete with Incas, crickets, and a small family of deaf-mutes, her written request doubles as what also might be the craziest love poem you’ve ever read. Awestruck and sleepless in Hamilton, she is haunted by visions of celebrity reporter Brian Linehan, obsessed with a young boy she saw once on the TV news, and just wants to do better, get married, and wear a sash, a red mayor’s sash. Can’t Canada Council help her out? // Emily Holton’s Our Starland is a novella broken into small, dreamy pieces. Flash by flash, its pieces ferry a cast of characters through a season as they navigate the fruit picking diaspora of the Okanagan Valley. Hitchhiking, nightwalking, these characters remember the constellations wrong, leave their daughters alone, and sleep outside, once again, but with a sleeping bag this time. For more information on Dear Canada Council / Our Starland please visit: http://www.conundrumpress.com/nt_holton2.html

    J. R. Carpenter: http://luckysoap.com
    Emily Holton: http://www.emilyholton.com
    Conundrum Press: http://conundrumpress.com
    THIS IS NOT A READING SERIES: http://www.pagesbooks.ca/events.php

    So many dear friends turned out for the NYC and Montreal launches we can’t wait to take the show on the road. Here’s some of the fun we’ve had so far:


    NYC launch at KGB Bar, Thursday October 23, 2008


    Montreal at Sky Blue Door, Friday November 7, 2008
    Maya Merrick at the he Book Table


    Montreal at Sky Blue Door, Friday November 7, 2008
    We love you Andy Brown.


    Montreal at Sky Blue Door, Friday November 7, 2008


    Montreal at Sky Blue Door, Friday November 7, 2008
    It’s this much fun!
    . . . . .

    WORDS THE DOG KNOWS – Montreal Launch – Friday, November 7, 2008

    Dear Friends. We invite you to join us for an evening of stories, drawings and music in celebration of the publication of J.R. Carpenter’s first novel, WORDS THE DOG KNOWS (Montreal: Conundrum Press) and Emily Holton’s two novella’s Dear Canada Council / Our Starland (Montreal: Conundrum Press), with readings by J. R. Carpenter and Emily Holton, drawings by J. R. Carpenter, Elisibeth Belliveau and Emily Holton and a presentation of J. R. Carpenter’s recent web-based writing project in absentia (presented by Dare-Dare Centre de diffusion d’art multidisciplinaire de Montréal).

    SKY BLUE DOOR
    5403B Saint-Laurent (view map)
    (south of Saint-Viateur, behind Enterprise Car Rental – enter via alleyway)
    Friday, November 7th, 7:00 pm – 11:00 pm (free)

    J. R. Carpenter’s long-awaited first novel Words the Dog Knows follows the paths of a quirky cast of characters through the Mile End neighbourhood of Montreal. Theo and Simone set about training Isaac the Wonder Dog to: sit, come, stay. Meanwhile, he has fifty girlfriends to keep track of and a master plan for the rearrangement of every stick in every alleyway in Mile End. He introduces Theo and Simone to their neighbours. He trains them to see with the immediacy of a dog’s-eye-view. Words the Dog Knows isn’t a story about a dog. It’s a story because of a dog. Walking though the the jumbled intimacy of Montreal’s back alleyways day after day, Theo and Simone come to see their neighbourhood ­ and each other ­ in a whole new way.

    For more information on Words the Dog Knows, including full event listings and purchase information, please visit: http://luckysoap.com/stories/wordsthedogknows.html

    J. R. Carpenter’s web-based writing project in absentia addresses issues of gentrification and its erasures in the Mile End neighbourhood of Montreal. By manipulating the Google Maps API, Carpenter creates an interactive non-linear narrative of interconnected “postcard” stories, thus haunting a satellite view of the neighbourhood with the stories of former tenants of Mile End (fictional or otherwise) who have forced out by economically motivated decisions made in their absence. in absentia features new fiction by J. R. Carpenter with invited authors: Lance Blomgren, Andy Brown, Daniel Canty, Alexis O’Hara and Colette Tougas. Some of the stories in in absentia also appear in Words the Dog Knows. To view in absentia online please visit: http://luckysoap.com/inabsentia

    Emily Holton’s novella Dear Canada Council is an illustrated plea for plane tickets, in which the narrator details her plans to “found a town”. Complete with Incas, crickets, and a small family of deaf-mutes, her written request doubles as what also might be the craziest love poem you’ve ever read. Awestruck and sleepless in Hamilton, she is haunted by visions of celebrity reporter Brian Linehan, obsessed with a young boy she saw once on the TV news, and just wants to do better, get married, and wear a sash, a red mayor’s sash. Can’t Canada Council help her out? // Emily Holton’s Our Starland is a novella broken into small, dreamy pieces. Flash by flash, its pieces ferry a cast of characters through a season as they navigate the fruit picking diaspora of the Okanagan Valley. Hitchhiking, nightwalking, these characters remember the constellations wrong, leave their daughters alone, and sleep outside, once again, but with a sleeping bag this time.

    For more information on Our Starland / Dear Canada Council please visit: http://www.conundrumpress.com/nt_holton2.html

    J. R. Carpenter: http://luckysoap.com
    Emily Holton: http://www.emilyholton.com
    Conundrum Press: http://conundrumpress.com
    Dare-Dare Centre de diffusion d’art multidisciplinaire de Montréal: http://dare-dare.org
    . . . . .

    Guest Lecturer at de Montfort University, Leicester, UK

    The week of November 3rd, 2008, I’ll be a Guest Lecturer at de Montfort University. De Montfort is in Leicester, UK. But I’ll be in my office in Montreal. And the students will be tuning in from the UK, Gambia, and Canada. How is this possible? De Montfort offers an online MA in Creative Writing and New Media.

    The Online MA in Creative Writing and New Media is designed for writers interested in experimenting with new formats and exploring the potential of new technologies in their writing. This 95% distance learning course has a unique commitment to the connections between writing and new media and offers an excellent online experience combined with one week’s intensive study at the De Montfort campus. The course is designed by Professor Sue Thomas, writer and former Artistic Director of the trAce Online Writing Centre, and Kate Pullinger, acclaimed novelist and new media writer. It has extensive links with important initiatives including DMU’s Institute of Creative Technologies, research into digital narratives and new media writing, and the creative, digital and publishing industries.

    This degree is informed by contemporary thinking on transliteracy, meaning the ability to read, write and interpret across a range of media from orality through print and film to networked environments. Creative Writing, indeed the very nature of text itself, is changing. No longer bound by print, there are many opportunities for writers to experiment with new kinds of media, different voices and experimental platforms, both independently and in collaboration with other writers or other fields and disciplines. Not only is writing evolving, but writers themselves are developing broader expectations and aspirations. Novelists are learning about the potential of hypertext and multimedia to change the ways in which a story can be told. Journalists are finding that blogs and wikis are radically affecting their relationships with their readers. Community artists are discovering powerful collaborative narratives. And the commercial world is finding new and creative ways to interact with its employees and customers in the fast-growing attention economy of the internet. While digital media have altered the way we disseminate and gather information, readers – both online and offline – still hunger for compelling narratives. As readers, we want to be told stories; we want complex and interesting ideas and characters; we want vivid pictures in our heads. As writers we want to communicate. We need good stories well-told, whatever our choice of delivery platform. The MA in Creative Writing and New Media provides an opportunity to focus on developing work at the cutting edge of the new technologies and enables new ways of thinking about narrative.

    To visit the current students’ course website and to see examples of the guest lecturers on the programme and successful applicant profiles visit: http://www.creativewritingandnewmedia.com

    To read the lecture I’ve prepared for the MA in Creative Writing and New Media visit: Mapping a Web of Words.


    . . . . .

    in absentia in Finland – Live Herring 08

    Live Herring ´08 Media Art Exhibition will be in shown at Jyväskylä Art Museum October 29 – November 23, 2008, in The Lower Gallery, Holvi. Opening hours: Tue-Sun 11-18. Free entrance to The Lower Gallery. http://www.liveherring.org/

    Live Herring ´08 media art exhibition presents media art as diverse phenomenon, with a concentration on new media art. The exhibition space will be filled with reflections and sounds. At the same time as interactive art works invite visitors to participate, in the Net dot lounge visitors can explore net art in privacy. In the exhibition there are pieces from nine artists living in Nordic countries. For Net dot lounge and Flash lounge there was an open call for submission for artists from all over the world.

    Artists in the exhibition (selected from submissions):
    Heidi Aho (Finland), Päivi Hintsanen (Finland), Tomi Knuutila (Finland), Mari Keski-Korsu (Finland), Antti Laitinen (Finland), Jone Skjensvold (Norway), Video Jack (Portugal/SFinland), Bjørn Wangen (Sweden), Nora Westerberg (Finland)

    Net dot Lounge presents following artists:
    Chris Basmajian (USA), Jeroen van Beurden (Netherlands), Filip Bojovic & Vladimir Manovski (Russia), Martin John Callanan (UK), J. R. Carpenter (Canada), Annabel Castro (Mexico), David Clark (Canada), Juliet Davis (USA), Andy Deck (USA), Jason Freeman (USA), Sami Heikkinen (Finland), Päivi Hintsanen & Noora Nenonen (Finland), Yael Kanarek (USA), Sara Milazzo (Finland), Adam Nash & Mami Yamanaka (Australia), Jason Nelson (Australia), Oskar Ponnert (Sweden), Rafael Rozendaal (Germany/Brazil), Silas FONG Sum-yu (Hong Kong//China), Sérgio Tavares (Brazil), Martin Wattenberg (USA), Ant Ngai Wing-Lam (Hong Kong/China)

    Live Herring ‘08 exhibition net artworks (via submission + invited) can be viewed from:
    http://www.liveherring.org/08_web/net_exhibition.htm

    Flash Lounge, animations from following artists:
    Anni Kinnunen (Finland), Jonna Markkula (Finland), Aku Meriläinen (Finland), Santeri Piilonen (Finland), Petri Tiainen (Finland), Väsyneistö (Finland)

    The Exhibition expands outside of the museum building when the artist Antti Laitinen continues his art project Walk the Line in Jyväskylä. Laitinen will realize this self-portrait for the first time as a live performance. He will walk at the streets of the city with the GPS –navigator. The performance will start on October 27th, 2008 at 12 p.m. Helsinki time (gmt +02:00) / 10 a.m. London time (gmt +00:00) and it can be followed on the internet. The link for this performance will be announced on the Live Herring website on October 24th. The outcome will be his self-portrait drawn with the help of navigator into the map of the Jyväskylä. This work will be exhibited in the exhibition along with the other pieces from this series.

    Another guest artist of the exhibition is media artist Mari Keski-Korsu. She will arrive for afternoon tee to Jyväskylä on Nov 7th at 4.30 p.m. She will tell about her work Mega with which she is participating to the exhibition, but also about art project Mikropaliskunta.

    Live Herring ´08 will be visible also in outside of the museum building. As a part of the exhibition there will be also short screenings of media art from the window of Jyväskylä Art Museum to the Kauppakatu each Wednesday and Friday at 5 p.m. In November Live Herring visits The Arctic & Fabulous film festival and House Games exhibition.

    If you have questions about media art or you want guiding to exhibition, we invite you to meet “Live Herring media art adviser” who is on a call on Tuesday, Thursday and Friday afternoons at exhibition. Public guiding will be also organized on Saturday Nov 15th and on Sunday Nov 23rd at 2 p.m.

    Live Herring working group is cooperating for the exhibition with local enterprises. Exhibition has been supported by AudioCenter, GPS-seuranta and Kopijyvä. For exhibition cooperation is also done with University of Jyväskylä, Department of Art and Culture Studies. Live Herring ´08 exhibition has been financially supported by Arts Council of Finland and The Finnish Cultural Foundation.

    The name Live Herring comes from the Online Net Art Gallery Spirited Herring – the first Finnish open-to-all net art gallery, online since 1997.

    http://www.liveherring.org/
    . . . . .

    in absentia on Six-years.com

    Keep it simple. Will it work? Keep it very [very] simple. Will it still work? Could less [still] be more?

    This week’s issue of http://www.six-years.com features work by J. R. Carpenter. Six-years.com is a project that is trying to make it work. [Simple.] It is an attempt to un-design the over-designed medium of the Internet. Initially conceived as a parasite to Carlos Motta’s online magazine artwurl.org, six-years.com developed into a creature of its own. Every week one individual from this flock of emerging critic/curator hybrids will put up four pages of images, audio, video, or text cycling to a virtual dead-end. Like it?[1]

    Imagine one of those nights that starts with a [dense] talk at, let’s say, Night School[2], then leads to drinks in Park Slope[3] (and everything else that naturally[4] comes with it). Getting home just about the time when they stop selling beer in gas stations[5], laying over the kitchen table, you don’t feel like reading the rest of Irit Rogoff’s “smuggling”, but you still want to stay awake. In this case, the editors of six-years.com invite you to visit this website stripped down of curatorial rhetoric with the promise that you will forget about it all in the morning, late for work.

    Montreal-based artist J. R. Carpenter has reinterpreted an existing web-based writing project for the Six Years site. Originally commissioned by media and distribution center Dare-Dare, Carpenter’s In Abstentia injects creative writing in her web-representation of a gentrified Montreal neighborhood. For more information on the artist and about In Abstentia, visit the artist’s website http://luckysoap.com/. This Six Years webproject will be active from October 24 –October 31, 2008, and is organized by Mireille Bourgeois.
    ______________________

    [1] Why not?
    [2] Or whatever.
    [3] Whatever.
    [4] Play it safe.
    [5] 4 am.
    . . . . .

    The Pilot Reading Series October Edition

    Presented by Matrix magazine, Pop Montreal and the QWF.

    J.R. Carpenter
    a. rawlings
    Darren Bifford
    Michelle Sterling
    Rebecca Silver Slayter

    hosted by Mike Spry
    music by Billy Fong Parade

    Sunday October 26th
    Bar Blizzarts, 3956A St. Laurent, Montreal
    doors @ 9 – readings @ 9:30

    J. R. Carpenter grew up on a farm in Nova Scotia and has lived in Montreal since 1990. She is a two-time winner of the CBC Quebec Short Story Competition and a Web Art Finalist in the Drunken Boat Panliterary Awards 2006. Her electronic literature has been presented internationally. Her short fiction has been broadcast on CBC Radio, translated into French, and anthologized in Le livre de chevet, Short Stuff, Lust for Life and In Other Words, and has appeared in journals including Geist, The New Quarterly and Matrix. Her first novel, Words the Dog Knows, is published by Conundrum Press (Montreal, 2008). http://luckysoap.com

    a.rawlings’ first book, Wide slumber for lepidopterists (Coach House Books, 2006, Alcuin Award recipient, Gerald Lampert Award nominee), documents a night in the life of Northern Ontario. rawlings co-edited Shift & Switch: New Canadian Poetry (The Mercury Press, 2005), co-organized The Lexiconjury Reading Series (2001-6), and hosted Heart of a Poet (2005). She currently facilitates sound/text/movement workshops for all ages. a.rawlings’ escapist fantasies feature kynlíf með álfum, Ghentish snails, and a theremin; and yes, someday, she will escape.

    Darren Bifford currently lives in Montreal, where he teaches philosophy at Champlain College, St. Lambert. He is the reviews editor for Matrix.

    Michelle Sterling lives and longs for the nineties in Montreal. She is a member of the Soulgazers writing collective and her work has appeared in Maisonneuve, Islands Fold, $2 Comes With A Mixtape, and The Art of Trespassing by Invisible Publishing.

    Rebecca Silver Slayter is an MA student in creative writing at Concordia University and an editor of Brick literary journal. She has published fiction in places like The Antigonish Review and The Hart House Review, and won a Hart House Poetry Prize and a Hart House Fiction prize in 2003 (2nd place in both cases).
    . . . . .