On Friday 14 March 2014 I will present a performance paper called “Seven Short Talks About Islands . . . and by islands I mean paragraphs” at MODULAR FORM: A SYMPOSIUM ON CREATIVE PRACTICE, a one-day symposium hosted by ReWrite, the Centre for Research in Creative and Professional Writing at Roehampton University, in conjunction with Writing-PAD.
I will present this modular work in a modular format loosely informed by Anne Carson’s Short Talks and Judith Schalansky’s Atlas of Remote Islands: Fifty Islands I Have Never Set Foot On and Never Will. I will offer a brief introduction, and then navigate the work. As I come across textual islands I will offer short ‘talks’ on them. Each of these ‘talks’ will be composed of a selection of the fragments contained in that particular island’s variable strings.
For example, here is a ‘talk’ based on an island composed of fragments of text from “A Topical Paradise,” an essay by Hernán Díaz:
Islands are [‘places that have become commonplaces’, ‘perfect topics’, ‘literal metaphors’, ‘possible only in literature’]. Topical islands are [‘figures of radical isolation’, ‘off the map’, ‘off the chart’, ‘always virgin’, ‘blind spots on the surface of the known’, ‘shrouded in obscurity’, ‘isolated in the present’, ‘silent’, beyond time’, ‘in a time zone of their own’]. They are paragraphs. They [‘separate the narrative body from the referential mainland’, ‘separate the text from the writer’s desk’, ‘separate the text from the reader’s finger’s’, ‘surround and enclose the text’, ‘create their own context’]. They are [‘textual shores’, ‘marginal’, ‘not part of the central body of the text’, ‘a physical space on the page’, ‘engulfed in a textual sea’].
And here is a ‘talk’ based on an island composed of fragments of text from J. M. Coetzee’s novel Foe:
I am [‘cast away’, ‘a castaway’, ‘indeed cast away’, ‘not a bird of passage’, ‘not a prisoner’, ‘not a story’, ‘not persuaded’, ‘unknown to myself’, ‘wondering how I come to be here’, ‘saved’, ‘on an island yet’, ‘alone on the waves’, ‘alone’, ‘all alone’, ‘a woman alone’, ‘a woman cast ashore’, ‘a woman washed ashore’, ‘a free woman’, ‘now a madwoman’, ‘waiting for the book to be written that will set me free’].
Practitioners have been invited to MODULAR FORM: A SYMPOSIUM ON CREATIVE PRACTICE from a diverse range of fields, including digital writing, performance art, curatorial studies, poetry, music, and psychoanalysis, to discuss the deployment of short and/or minimal units of text.
MODULAR FORM CONTRIBUTORS AND TEXTS
J.R. Carpenter, “Seven Short Talks About Islands …and by islands I mean paragraphs.”
Vincent Dachy, “Free Associations! Or Weaving with the Wind.”
James Davies, “Minimalism and Modularity.”
Rupert Loydell and Kingsley Marshall, “CONTROL & SURRENDER. Eno Remixed: Collaboration & Oblique Strategies.”
Kaja Marczewska, “Modular form as a Curatorial Practice.”
Nathan Walker, “Six Words Short: Textual Instruction Events.”
The symposium will be held at Grove House on the main campus of Roehampton University on Friday, March 14, 2014, from 10 am to 5 pm.
The symposium is free but places are limited, so please book early to avoid disappointment. The event includes a catered lunch.