WORDS THE DOG KNOWS – Montreal Launch – Friday, November 7, 2008

Dear Friends. We invite you to join us for an evening of stories, drawings and music in celebration of the publication of J.R. Carpenter’s first novel, WORDS THE DOG KNOWS (Montreal: Conundrum Press) and Emily Holton’s two novella’s Dear Canada Council / Our Starland (Montreal: Conundrum Press), with readings by J. R. Carpenter and Emily Holton, drawings by J. R. Carpenter, Elisibeth Belliveau and Emily Holton and a presentation of J. R. Carpenter’s recent web-based writing project in absentia (presented by Dare-Dare Centre de diffusion d’art multidisciplinaire de Montréal).

SKY BLUE DOOR
5403B Saint-Laurent (view map)
(south of Saint-Viateur, behind Enterprise Car Rental – enter via alleyway)
Friday, November 7th, 7:00 pm – 11:00 pm (free)

J. R. Carpenter’s long-awaited first novel Words the Dog Knows follows the paths of a quirky cast of characters through the Mile End neighbourhood of Montreal. Theo and Simone set about training Isaac the Wonder Dog to: sit, come, stay. Meanwhile, he has fifty girlfriends to keep track of and a master plan for the rearrangement of every stick in every alleyway in Mile End. He introduces Theo and Simone to their neighbours. He trains them to see with the immediacy of a dog’s-eye-view. Words the Dog Knows isn’t a story about a dog. It’s a story because of a dog. Walking though the the jumbled intimacy of Montreal’s back alleyways day after day, Theo and Simone come to see their neighbourhood ­ and each other ­ in a whole new way.

For more information on Words the Dog Knows, including full event listings and purchase information, please visit: http://luckysoap.com/stories/wordsthedogknows.html

J. R. Carpenter’s web-based writing project in absentia addresses issues of gentrification and its erasures in the Mile End neighbourhood of Montreal. By manipulating the Google Maps API, Carpenter creates an interactive non-linear narrative of interconnected “postcard” stories, thus haunting a satellite view of the neighbourhood with the stories of former tenants of Mile End (fictional or otherwise) who have forced out by economically motivated decisions made in their absence. in absentia features new fiction by J. R. Carpenter with invited authors: Lance Blomgren, Andy Brown, Daniel Canty, Alexis O’Hara and Colette Tougas. Some of the stories in in absentia also appear in Words the Dog Knows. To view in absentia online please visit: http://luckysoap.com/inabsentia

Emily Holton’s novella Dear Canada Council is an illustrated plea for plane tickets, in which the narrator details her plans to “found a town”. Complete with Incas, crickets, and a small family of deaf-mutes, her written request doubles as what also might be the craziest love poem you’ve ever read. Awestruck and sleepless in Hamilton, she is haunted by visions of celebrity reporter Brian Linehan, obsessed with a young boy she saw once on the TV news, and just wants to do better, get married, and wear a sash, a red mayor’s sash. Can’t Canada Council help her out? // Emily Holton’s Our Starland is a novella broken into small, dreamy pieces. Flash by flash, its pieces ferry a cast of characters through a season as they navigate the fruit picking diaspora of the Okanagan Valley. Hitchhiking, nightwalking, these characters remember the constellations wrong, leave their daughters alone, and sleep outside, once again, but with a sleeping bag this time.

For more information on Our Starland / Dear Canada Council please visit: http://www.conundrumpress.com/nt_holton2.html

J. R. Carpenter: http://luckysoap.com
Emily Holton: http://www.emilyholton.com
Conundrum Press: http://conundrumpress.com
Dare-Dare Centre de diffusion d’art multidisciplinaire de Montréal: http://dare-dare.org
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New York City Launch – Words the Dog Knows – KGB Bar, October 23, 2008

Dear Friends. We invite you to join us in celebrating the publication of J.R. Carpenter’s first novel, WORDS THE DOG KNOWS (Montreal: Conundrum Press) with an evening of readings from Montreal and New York-area fiction writers that will take you from the swamplands of Florida to the streets of Montreal and onward to points beyond. J.R. will be joined by New Yorker Karen Russell, fellow Conundrum author Corey Frost, and Canadian New Yorker Nora Maynard.

KGB Bar http://kgbbar.com/calendar/
85 East 4th Street, New York City, NY
Thursday, October 23, 2008
7:00 pm – 9:00 pm (free)

J. R. Carpenter’s long-awaited first novel Words the Dog Knows follows the paths of a quirky cast of characters through the Mile End neighbourhood of Montreal. Theo and Simone set about training Isaac the Wonder Dog to: sit, come, stay. Meanwhile, he has fifty girlfriends to keep track of and a master plan for the rearrangement of every stick in every alleyway in Mile End. He introduces Theo and Simone to their neighbours. He trains them to see with the immediacy of a dog’s-eye-view. Words the Dog Knows isn’t a story about a dog. It’s a story because of a dog. Walking though the the jumbled intimacy of Montreal’s back alleyways day after day, Theo and Simone come to see their neighbourhood ­ and each other ­ in a whole new way.


For more information on Words the Dog Knows, including a full launch event listing and ordering information, please visit: http://luckysoap.com/stories/wordsthedogknows.html or Conundrum Press: http://conundrumpress.com

J.R. Carpenter is a two-time winner of the CBC Quebec Short Story Competition and a fellow of Yaddo, Ucross and The Vermont Studio Center. Her short fiction has appeared in numerous journals and anthologies and her electronic literature has been presented internationally. Words the Dog Knows is her first novel. http://luckysoap.com

Karen Russell is the author of the critically acclaimed short story collection, ST. LUCY’S SCHOOL FOR GIRLS RAISED BY WOLVES (Knopf). Karen’s fiction has appeared in The New Yorker, Granta, and Zoetrope, among others. She is currently at work on a novel. http://www.randomhouse.com/author/results.pperl?authorid=70463

Corey Frost is the author of MY OWN DEVICES: AIRPORT VERSION (Montreal: Conundrum Press). Corey has performed his stories at Lollapalooza, The Perpetual Motion Roadshow, and at festivals around the world. http://www.coreyfrost.com

Nora Maynard
is a winner of the Bronx Council on the Arts Chapter One Competition and a fellow of the Ragdale Foundation, the Millay Colony, Ucross, and Blue Mountain Center. She is a columnist for Apartment Therapy Media’s The Kitchn, and is completing her first novel, BURNT HILL ROAD. http://www.noramaynard.com
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in absentia launch party under the Van Horne Viaduct

When Dare-Dare first accepted in absentia for their 2008 season, I was hoping it would launch sometime very late in the season. I had already committed to launching Tributaries & Text-Fed Streams in the spring and Words the Dog Knows in the fall so already 2008 was looking like a crazy year. But, as fate would have it, just as Dare-Dare was sending out notification that they’d accepted my project on gentrification in the Mile End, they received notification of their own eviction from the parc sans nom that has been their home in Mile End for the past few years. They had to be out by July 1st so it made sense to launch my project at the end of June as a farewell to the neighbourhood. When Dare-Dare proposed launching “in absentia” on June 24th, Saint-Jean Baptiste Day, I thought: What the hell – the national holiday thing will distract everyone if the work isn’t quite done.

Stéphane came home from work on Saturday and said: Hey, there are posters with your name on them all over the neighbourhood. Posters, I said. What a good idea. I had proofed a draft of a poster, but it hadn’t quite occurred to me that someone would then post the posters and that people would see them. Dare-Dare has been great to work with. By tacit mutual agreement, we don’t pester each other with details. They do their part and I do my part and somehow it all gets done. Stéphane said: Your event is being billed as the neighbourhood Saint-Jean Baptiste Day party. That’s a big deal, he assured me. One poster was in the exact location of one of the stories in absentia. Many dear friends of mine have lived in the building directly across the street over the years, and all have been evicted now.

Monday afternoon I took the long metro ride east to Pix IV for an interview on CIBL’s 4á6 show. CIBL is also a big deal, according to Stéphane – the last word in community radio in this town. Not only had I never heard of it, somehow I’d managed to live in Montréal for nearly 18 years without ever doing a live radio interview in French. How embarrassing. How terrifying. How did it go? Well, fine I think… but then how would I know? It was fun, at least. And there was a Village des Valeurs next door. After the interview went shopping for an outfit to wear to the launch party and with thrilled to find this four-dollar skirt.

Tuesday’s forecast called for 40% chance of showers. There were showers for 40% of the day. As I was leaving the apartment for tech set up at 2PM I said: It had better rain now and get it over with. It started to rain within seconds. After about twenty minutes it was over with and we had clear skies for the rest of the night.

Arriving at the sans nom the first thing I noticed was that a porto-pottie had been set up next to the Dare-Dare trailer. I was glad that they’d thought of it, I certainly hadn’t. I’ve never had a launch event large enough to require the procurement of a porto-pottie before. This career high was mediated somewhat by the realization that in absentia would be displayed throughout the launch event on two antique iMac computers. “They’re are already in the museum of 20th century design,” Dare-Dare director Jean-Pierre assured me as we set them up on a picnic table outside the Dare-Dare trailer. We had to run network cables out to them, because they were built before wireless networks existed. But the piece ran amazingly well on them, and really, what better computers to withstand nearly 12 hours outdoors in sun, wind, blowing grit and hundreds of beery users?

Hundreds did indeed show up. They came in waves, so at first I didn’t notice how the scale of the thing kept changing. I just drifted from one conversation to the next. The NT2 polka dot crew represented and team OBORO came out in force. “in absentia” guest authors Daniel Canty and Alexis O’Hara were present as were many other dear friends. Over all I only knew a fraction of the people there. The crowd was mixed: kids, dogs, punks, artists, friends, locals and a few friendly local mentally insane folks. I took their presence as a huge complement. If the local mentally insane know that your party is THE Saint-Jean Baptiste Day party to be at you have really made it in this town. Many people were unaware of what the party was for or about other than that it was about having a party, which was certainly one of the things this party was about. Other people were acutely aware of what the work that prompted the party was all about. Stories of evictions from Mile End abounded. Someone on the Dare-Dare selection committee told me that Dare-Dare hadn’t yet been evicted from the parc sans nom when they accepted “in absentia” but he and a number of the other Dare-Dare members had already been forced to move. One guy came up and told me he’d been at home packing when he’d heard about the project and the party on the radio and decided to come check it out. Wow.

The police came three times on account of noise complaints, which totally eclipsed the on-site porto-potties as my new career high. The bicycle cops have the shapeliest legs. The programming director of Dare-Dare gave “in absentia” postcards and I merrily introduced myself to each and every officer as “the artist” which confused the heck out of them. It’s pretty hard to argue with a Saint-Jean block party, especially considering it would be Dare-Dare’s last party every in the parc sans nom. I mean, what were the police going to do, evict us? Everybody remained peaceful, the police left us in peace and people went on dancing until 2AM.

The official cocktail of the evening was the mojito, which was also the official cocktail of my wedding. This was pure coincidence as I had so little to do with the party planning I didn’t even know there would be an official cocktail. All the bartenders were volunteers, as were all the dj’s: Julie d, Tommy T, Rustic, Backdoor, Dirty Boots, papa dans maman, catherine lovecity, alakranx, cristal 45 et FSK1138 & jason j gillingham. FSK1138 & jason j gillingham did some kind of crazy live set using sounds extracted from the blue and red values of photo data taken from images of in absentia. The sound data was extracted using ‘BeepMap‘ a flstudio image synth. A few days later FSK1138 dropped off a CD of these sounds in my mailbox. A few days later FSK1138 popped a CD of these sounds in my mailbox. Thank you guys, so much.

I’m blown away by the generosity of all these volunteers and mightily impressed by the hard work and dedication of the Dare-Dare community. All night the programming director of Dare-Dare worked crowd control with a super grounded zen like calm, negotiating with the police and the locals and the drunks and the crazies and me the artist and picking up empties and taking photos and restocking the bar with beer. At some point I said to someone, “Man, can you imagine being the guy in charge of all this?”

At some other point in the evening I was sitting with a group of friends watching the masses dancing, casting wild elongated shadows on the underside of the Van Horne Viaduct when it hit me that there were more people at this party than there had been in my entire elementary school. I tried to explain how overwhelming this was. Someone said: “What did you go to a Montessori school or something?” No, I just grew up in a place where there were that few people! When I was a kind in rural Nova Scotia most folks scoffed when I said I was going off the big city to study fine arts in university. When I started making art on the Internet most folks scoffed and said: “The Internet’s just a fad, it will never catch on.” So I found it beautiful that a web-based fiction project could bring so many real people together in a physical space.

At some very late point in the evening I was standing on the steps of the Dare-Dare trailer taking night photos each on more surreal than then next yet not quite able to capture the scene when artistic director Jean-Pierre passed by and asked me if I was enjoying my party. My party? “It’s bigger than all of us,” I said. One of the stated aims of in absentia is so “haunt” the neighbourhood with the stories of its former tenants (fictional or otherwise) who have been forced out by gentrification. If my night photos are any indication than yes, I think my plan is working.

in absentia is now online: http://luckysoap.com/inabsentia. I will continue to add new stories over the course of the summer until November 2008. It will take at least that long for all of the ramifications of this project to sink in. If you have stories of gentrification and its erasures in the Mile End feel free to add them as comments to this post or summit them via the comment box within the piece.
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in absentia launch party June 24th

Join us for the launch of in absentia – a new web writing project by J.R. Carpenter with guest authors: Lance Blomgren, Andy Brown, Daniel Canty and Colette Tougas. in absentia is presented by DARE-DARE Centre de diffusion dart multidisciplinaire de Montral.

DARE-DARE will host an in absentia launch party on Saint-Jean Baptiste Day, June 24th from 5 – 11PM in the parc sans nom (St. Laurent @ Van Horn). The event is free and open to everyone. There will be DJs and a cash bar and possibly a laser light show, if I have time!

The launch of in absentia marks the end of DARE-DARE’s Dis/location: projet d’articulation urbaine. On July 1st, DARE-DARE’s blue trailer will leave the vacant lot that was its home for two years and move towards Montréal’s downtown, in Cabot Square, corner Sainte-Catherine and Atwater. The launch of in absentia will be the last event held in the Mile End’s parc sans nom, so please come and make it a great one.

in absentia is a web-based writing project that addresses issues of gentrification and its erasures in the Mile End neighbourhood of Montreal. In recent years many long-time low-income neighbours being forced out of Mile End by gentrification. So far fiction is the best way I’ve found to give voice these disappeared neighbours, and the web is the best place I’ve found to situate their stories. Our stories. My building is for sale; my family may be next. Faced with imminent eviction I’ve begun to write as if I’m no longer here, about a Mile End that is no longer here. By manipulating the Google Maps API, I am able to populate “real” satellite images of my neighbourhood with “fictional” characters and events. in absentia is a web “site” haunted by the stories of former residents of Mile End, a slightly fantastical world, a shared memory of the neighbourhood as it never really was but as it could have been. The project will launch in Montreal and on-line on June 24, and new stories will continue to be added until November 30, 2008.

DARE-DARE Centre de diffusion d’art multidisciplinaire de Montréal est situé dans un parc sans nom entre Saint-Laurent et Clark, entre Arcade et Rosemont/Van Horne, Montréal. For more information please visit: dare-dare.og
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Tributaries & Text fed Streams: Launch Event

If you happen to be in Vancouver on Saturday May 24th at 7:30PM, come on down to the Helen Pitt Gallery for the launch of Tributaries & Text fed Streams. I’ve been working on this project for just over six months now and am thrilled to see it nearing completion. I’m also thrilled to be heading to Vancouver for this launch. I have so many dear friends in that fair city yet have spent next to no time there. Looking forward to seeing you all – you know who you are!

Tributaries & Text-Fed Streams is commissioned by The Capilano Review and curated by Kate Armstrong. The work explores the poetic, formal and functional properties of RSS using the text of an issue of literary quarterly The Capilano Review as raw material raw the creation of a new artwork. Since January I have reading and re-reading the essays, parsing them into fragments, annotating them, marking them up, tagging them and posting them. Once fed into an RSS stream, the fragments are re-read, reordered, and reblogged in an iterative process of distribution that opens up new readings of the essays and reveals new interrelationships between them.

At the launch event I will read from the piece and perform a guided tour of the various streams feeding into and flowing out of it. In addition, curator Kate Armstrong has put together a programme of experimental readings by practitioners in disparate fields such as quantum physics, geography, and poetics, arranged to explore ideas of streams, seriality, or flow. Participants in the launch event will include Maria Lantin, Michael Boyce, Jeremy Venditti, Global Telelanguage Resources, and me, J.R. Carpenter.

The work will be simultaneously launched on Turbulence.org.

Launch Event:
Saturday, May 24th, 2008 at 7:30pm
Helen Pitt Gallery, 102-148 Alexander Street, Vancouver, BC.

A reception will follow.

For those of you who can’t make it in person, here are some URLS:

Tributaries & Text- Fed Streams: http://tributaries.thecapilanoreview.ca/
The Capilano Review: http://www.thecapilanoreview.ca/
TCR Issue 2-50 : “Artifice and Intelligence”: http://www.thecapilanoreview.ca/archive.php?id=series2/2_50
J.R. Carpenter: http://luckysoap.com/
Turbulence: http://www.turbulence.org
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WOMEN’S ART: TAKING OVER THE WEB

Studio XX launches MATRICULES: Canada’s largest public online archive of digital artwork by women and one of the world’s largest online archives of women’s digital art. Created with invaluable support from Heritage Canada’s Canadian Culture Online Program and hosted by Studio XX, Mobile Media Lab and the Department of Communication Studies at Concordia University, Matricules will launch on Tuesday, May 13th, 2008 from 5:30 PM to 7:30 PM at Hexagram Concordia, 1515 Ste-Catherine West (corner Guy) on the 11th floor.

Matricules is an electronic documentary herstory spanning eleven years of research, creation and exploration at Canada’s one-of-a kind Studio XX. Mingle with some of Montreal’s most celebrated new media artists on a spectacular terrace overlooking Montreal and enjoy a performative reading by J.R. Carpenter, two-time winner of CBC’s Quebec Short Story Competition. Prominent interdisciplinary artists Caroline Martel and jake moore will offer their take on the website’s creation process and Matricules Project Director Stephanie Lagueux will give audiences a private tour of this remarkable new digital archive.

The xxxboîte, a limited edition artifact comprised of original texts and a DVD produced in celebration of Studio XX’s first decade will also be presented and available for purchase as an important addition to any contemporary art collection.

Founded in 1996 with the goal of ensuring a defining presence for women in cyberspace and in the development of the digital arts, Studio XX is Canada’s foremost feminist digital art centre for technological exploration, creation and critique. Committed to establishing women’s access to technology, with a strong focus on Open-Source software, Studio XX offers artist residencies, monthly performance salons, an electronic magazine, a weekly radio show and HTMlles: an international biennial cyberarts festival.

“Matricules is a privileged gateway to dazzling integral digital artworks” comments Paulina Abarca-Cantin, Studio XX’s Director General. “This electronic treasure box offers the public live works by greats like Shawna Dempsey, Chantal DuPont, Deborah VanSlet, Women with Kitchen Appliances, Suzanne Kozel, Isabelle Choinière and AGF to name but a very, very few of the best of the best.”

Matricules was made possible through generous support from The Canada Council for the Arts, The Conseil des arts et des lettres du Québec, the Conseil des arts de Montréal, Mobile Media Lab and the Koumbit network. Studio XX wishes to thank its members, volunteers and visionary funding partners including Canadian Heritage’s Canadian Culture Online initiative.

http://www.studioxx.org
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xxxboîte

Official launch: Wednesday 17 October , 5 à 7
Galerie Yerge au, 2060 Joly, Montreal [map]

xxxboîte is an artifact produced in celebration of the first ten years of Studio XX, Centre d’artiste féministe engagé dans l’exploration, la création et la critique en art technologique. The boîte contains a publication featuring new texts from Kim Sawchuk, Marie-Christiane Mathieu, Anna Friz, J.R.Carpenter, and Michelle Kasprzak and a DVD comprised of documentation of selected projects, presentations and events of the first ten years of programming at studioxx. Inserted into this collection is a limited edition print from Montréal based artist, beewoo.

Faced with the impossibility of fully describing something that continues to shift in form and intentions, commissaire invitée, jake moore, has instead assembled the residue and remnants of the studio’s affects and actions for your consideration. The resulting collection indicates a centre ripe with exchange, diversity, and energy whose development parallels that of contemporary digital technologies.

Artists and projects represented on the DVD include: Kim Sawchuk, Kathy Kennedy, Sheryl Hamilton, Deb Van Slet, Histoire Orales, MXXR, Élène Tremblay, Anna Friz, Annabelle Chvostek, Katarina Soukup, Valerie Walker, Nancy Wight, Hope Peterson, Stephanie Lagueux, Diane Labrosse, Chantal Dumas, Caroline Martel, Miriam Verburg, Genevieve Heistek, Nancy Tobin, Bernadette Houde, Anne-Francoise Jacques and more…..

For more information and/or to order xxxboîte contact studioxx
4001 Rue Berri, espace 201, Montréal. Québec H2L 4H2
tél: 514-845-7934 . fax: 514.845.4941, accès (carte) | info@studioxx.org
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<< Entre Ville >>

a new web/ poetry/ video project
by J. R. Carpenter

LUCKYSOAP.COM/ENTREVILLE

LAUNCH / LANCEMENT: le jeudi 27 avril à 14h30 – Thursday, April 27 at 2:30PM

Salon des amis, Musée des beaux-arts de Montréal
1380, rue Sherbrooke Ouest

Commissioned by/ Une commande d’oeuvre d’OBORO, Laboratoire nouveaux médias et produite dans le cadre des activités spéciales du 50e anniversaire du Conseil des arts de Montréal

“My studio window opens into a jumbled intimacy of back balconies, yards and alleyways. Daily my dog and I walk through this interior city sniffing out stories. Poetry is not hard to find between the long lines of peeling-paint fences plastered with notices, spray painted with bright abstractions and draped with trailing vines. Entre Ville is a web art poetry project presented in the vernacular of my neighbourhood, where cooking smells, noisy neighbours and laundry lines criss-cross the alleyway one sentence at a time.” J. R. Carpenter, 2006.

“Mon studio donne sur un méli-mélo intime, fait de ruelles, de balcons et de cours arrières. À tous les jours, nous partons à la recherche d’histoires, mon chien et moi, reniflant chaque centimètre de l’antre de cette ville. La poésie n’est pas difficile à trouver entre les longues rangées de clôtures à la peinture craquelante, tapissées d’annonces de toutes sortes, d’abstractions vivement peintes à la bombe, drapées de vignes en cascades. Le résultat est Entre Ville, un projet sur Internet, présenté dans le cadre vernaculaire de mon quartier où la bouffe se sent, où les voisins bruyants et les cordes à linge s’entrecroisent dans la ruelle, une phrase à la fois.” J. R. Carpenter, 2006.

LUCKYSOAP.COM/ENTREVILLE
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The Final Trainwreck is Tonight

Brave the last wet tatters of Katrina – come out to the Casa Del Popolo tonight for the launch of Vince Tinguely’s New Novella “Final Trainwreck of a Lost-Mind Summer”.

I’ll be reading “Gingerly”. Here’s an excerpt:

That was his name for the dog in his head: Ginger Lee. He called her Ginger in public – a Golden Retriever’s name – all wrong for her black hair and blue eyes.

“What’s your dog’s name?” they’d ask him in the park.

“Ginger,” he’d say with a smile.

“Ginger eh? And what’s your name, Fred?” So everyone and their dog started calling him Fred. Wallace had never had a nickname before.

Casa Del Popolo, 4873 St-Laurent
Wednesday, August 31, 2005.
8 p.m. (show starts 9 p.m.)

With readings by:

Vince Tinguely
Dana Bath
J. R. Carpenter
Scott Duncan

Plus an exclusive musical performance by The Sally Fields.

$5 at the door (w/o book)
$10 at the door (if you buy a book)
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How I Loved the Broken Things of Rome

Announcing the launch of a new web art project by J. R. Carpenter:

“How I Loved the Broken Things of Rome” is a web art project combining historical research, poetics, video and photography collected during an extended stay in Rome. This work reflects upon certain gaps between the fragment and the whole, between the local and the tourist, between what is known of history and what is speculative. Rome is among the largest and oldest continuously occupied archaeological sites in the world. Daily life is complicated, even for the locals. Everything is running late, circuitous, or quasi-rotto. Romanticism and pragmatism must coexist. In my struggles with slang, schedules, and social vagaries, I came to feel that understanding what was happening around me was less a question of acquisition of language, than one of overcoming the dislocation of being a stranger. There were days in Rome that I did not, could not, speak to anyone. Oxford Archaeological Guide and cameras in tow, I tried to capture something of the impossibly elusive and fragmentary nature of language amid Rome‚s broken columns, headless statues and other, often unidentifiable, ruins.

To SVR and Barbarina, le ringrazio molto.

http://luckysoap.com/brokenthings

“How I Loved the Broken Things of Rome” was produced with the support of OBORO, Residency Program, New Media Lab and the financial support of the Conseil des arts et des lettres du Québec.
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