Slip into the Text-Fed Stream

I’ve officially started posting to Tributaries & Text-Fed Streams: A Feed-Reading of The Capilano Review. What the heck is a Feed-Reading? What on earth is a Text-Fed Stream? I’m so glad you asked!

Tributaries & Text-Fed Streams: A Feed-Reading of The Capilano Review is a personal, experimental and playful re-reading of and response to thirteen essays published in a recent issue of The Capilano Review that was dedicated to new writing and new technologies. In this work I am exploring the formal and functional properties of RSS, using blogging, tagging and other Web 2.0 tools to mark-up and interlink these essays and to insert additional meta-layers of commentary in order to play with, expose, expand upon, and subvert formal structures of writing, literature, and literary criticism.

For the next four-months I will be reading and re-reading the essays and parsing them into fragments, which I will then annotate, mark-up, tag and post. Fed into an RSS stream, the fragments will be re-read, reordered, and reblogged in an iterative process of distribution intended to open up new readings of the essays and reveal new interrelationships between them.

Streams are both literally and metaphorically the central image of the work. Streams of consciousness, data, and rivers flow through the interface and through the texts. Through this process of re-reading and responding, this textual tributary will feed a larger stream while paying tribute to the original source.

The result of this process-based approach will be a web site that is part blog and part archive – an online repository for the artifacts of re-reading as well as a stage for the performance of live archiving. The final version of Tributaries & Text-Fed Streams: A Feed-Reading of The Capilano Review will launch simultaneously on The Capilano Review website (Vancouver) and on Turbulence.org (New York) in May 2008.

But why wait until then? You can slip into this text-fed stream at any time via the web site, where you can post comments: http://tributaries.thecapilanoreview.ca and/or you can subscribe to the RSS feed and have the posts come to you: http://tributaries.thecapilanoreview.ca/feed/.

There’s also a facebook group: Tributaries & Text-Fed Streams. I’ve started a collection of literary quotations referring to rivers, streams, writing and the flow of information. If you have any to share, please send them along via a comment to this post, or to a post on http://tributaries.thecapilanoreview.ca, or on the facebook group’s wall. Hope to see you somewhere down river soon …

Tributaries & Text-Fed Streams

Tributaries & Text-Fed Streams is curated by Vancouver-based artist and writer Kate Armstrong and commissioned by The Capliano Review – a literary journal based in North Vancouver with a long history of publishing new and established Canadian and international writers and artists who are experimenting with or expanding the boundaries of conventional forms and contexts. Now in its 35th year, the magazine continues to favour the risky, the provocative, the innovative, and the dissident. TCR 2-50 “Artifice & Intelligence” was guest-edited by Andrew Klobucar and included essays by: Andrew Klobucar, Global Telelanguage Resources, Sandra Seekins, Kate Armstrong, David Jhave Johnston, Laura U. Marks, Sharla Sava, Kevin Magee, Jim Andrews, Gordon Winiemko, Nancy Patterson and Darren Wershler-Henry.

Tributaries & Text-Fed Streams: http://tributaries.thecapilanoreview.ca
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in absentia – DARE-DARE says farewell to Mile End

Back in September DARE-DARE – an artists-run centre founded in Montreal in 1985 – put out a call for submissions: Dis/location: projet d’articulation urbaine 2008. A fitting theme as DARE-DARE abandoned the white cube gallery ages ago. For the past few years they’ve been operating out of a sky-blue trailer parked in a Mile End park with no name under an overpass about three blocks from my apartment. In keeping with these circumstances their stated mandate is to support interdisciplinary projects that engage the social and physical realms of the city, its public spaces, its commercial, industrial and residential areas.

I submitted a proposal for project called “in absentia” – a web-based electronic literature project about gentrification and its erasure in the Mile End. I write dozens of proposals a year, but this one was different. First of all, I totally identified with the theme. Our apartment building went up for sale over the summer and we were feeling dislocated indeed. Secondly, I’d never encountered an application process quite like the one DARE-DARE proposes. In the first round you tell them who you are, what you do, what you want to do and why you want to do it with them. If they like where you’re coming from then they invite you to elaborate on where you’re going. This makes a lot of sense for projects that don’t exist yet. My project made it through to the second round. I found it a lot easier to write a more detailed proposal knowing that they were already interested.

In the end, DARE-DARE accepted “in absentia” for their 2008 season. It turns out they have a special affinity for the topic of gentrification – they’re being evicted from their Mile End parking spot July 1st. “in absentia” will launch late in June – DARE-DARE’s farewell to the neighbourhood. Now all I have to do is make the thing. More about that later.

More on DARE-DARE: http://www.dare-dare.org/
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Electronic Literature Workshops Online

This winter I’ll be giving five electronic literature workshops through Blue Metropolis’s Teleliterature Program. This series of on-line writing workshops is aimed at helping to develop students’ literary interests and creativity, to enrich the educational and cultural life of students in remote regions and to promote Quebec literature. Many well-known Québec authors have participated over the past five years. This will be the program’s first foray into the realm of electronic literature. It’s an exciting twist to this already Internet-based program. What better way to introduce students to electronic literature than via the Internet?

Each workshop lasts an hour. The teachers are asked to introduce the author, the pedagogical guide and to try some exercises before the session, so this week I’ve been writing lesson plans. Here kids, try this at home:


Introduction to Electronic Literature: Putting Your Postcard Stories On the Map

This one-hour workshop will introduce students to electronic literature, a genre of web-based writing that combines literary and new media practices. The workshop objectives are two-fold: to engage students in reading new and experimental literature online, and to encourage them to experiment with creating and sharing their own stories online.

Using examples from my own work, I will introduce possibilities for using the web creatively to tell stories, and discuss ways to use the web to reach a broad audience. Many of my web-based works combine short fiction with photography and maps to tell stories about places that are important to me. In one recent project, Entre Ville, I use poetry, photography and Quicktime video to tell stories about my back alleyway. In my most recent work, Les huit quartiers du sommeil, I use Google Maps to tell stories about the eight different Montreal neighbourhoods I’ve lived in.

I will invite the students to participate in the workshop by asking them bring with them to class a very short, 250-words or less, “postcard” story about a place that’s important to them. I will demonstrate how to use Google Maps “My Maps” to literally put their stories on the map. The students may choose to continue to experiment with Google Maps once the workshop is done. For example, they might create one map containing all their stories, and/or they might like to add photos to their maps. I will also provide links to many other works of electronic literature for the students to read/view.

For those of you following along at home, here are a few of the recommended readings:

Electronic Literature Organization
The Electronic Literature Organization was established in 1999 to promote and facilitate the writing, publishing, and reading of electronic literature. The ELO works to assist writers and publishers in bringing their literary works to a wider, global readership and to provide them with the infrastructure necessary to reach one another.

Electronic Literature Collection Volume One
The Electronic Literature Collection Volume One, published on the web and on CD-ROM, is intended to provide for reading, classroom use, sharing, and reference on and off the network. Anyone can request a free CD-ROM from: Electronic Literature Organization / Maryland Institute for Technology in the Humanities (MITH) / B0131 McKeldin Library / University of Maryland / College Park, MD 20742.

Electronic Literature: What is it? By N. Katherine Hayles
This essay surveys the development and current state of electronic literature, from the popularity of hypertext fiction in the 1980’s to the present, focusing primarily on hypertext fiction, network fiction, interactive fiction, locative narratives, installation pieces, “codework,” generative art and the Flash poem.

Drunken Boat – Online Journal
Issue 8 contains the Drunken Boat Panliterary Awards & links to other online journals.

Born Magazine
An experimental venue marrying literary arts and interactive media. Original projects brought to life through creative collaboration between writers and artists.
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Tributaries and Text-fed Streams

a feed-reading of The Capliano Review
a new work of electronic literature by J. R. Carpenter
curated by Kate Armstrong

The Capilano Review, a literary journal based in North Vancouver, has commissioned me to create a new work of electronic literature based on a recent issue dedicated to new writing and new technologies. TCR 2-50 “Artifice & Intelligence,” guest-edited by Andrew Klobucar, included essays by: Andrew Klobucar, Global Telelanguage Resources, Sandra Seekins, Kate Armstrong, David Jhave Johnston, Laura U. Marks, Sharla Sava, Kevin Magee, Jim Andrews, Gordon Winiemko, Nancy Patterson and Darren Wershler-Henry.

Tributaries & Text-fed Streams will be a personal, experimental and playful rereading of and response to these essays. I will explore the formal and functional properties of RSS, using blogging, tagging and other Web 2.0 tools to mark-up and interlink essays and to insert additional meta-layers of commentary in order to play with, expose, expand upon, and subvert formal structures of writing, literature, and literary criticism.

Over a four-month period I will read and re-read the essays, parsing them into fragments, which I will then annotate, mark-up, tag and post. Fed into an RSS stream, the fragments will be re-read, reordered, and reblogged in an iterative process of distribution that will open up new readings of the essays and reveal new interrelationships between them. The result of this process-based approach will be a blogchive – part blog, part archive – at once an online repository for the artefacts of re-reading and a stage for the performance of live archiving.

Streams are both literally and metaphorically the central image of the work. Streams of consciousness, data, and rivers flow through the interface and through the texts. Through this process of re-reading and responding, this textual tributary will feed a larger stream while paying tribute to the original source.

Tributaries & Text-fed Streams: A Feed-Reading of The Capilano Review will launch simultaneously on thecapilanoreview.ca (Vancouver) and turbulence.org (New York) in the spring of 2008.
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les huit quartiers du sommeil de Montréal 1990-2006

a new web map writing project by J. R. Carpenter

les huit quartiers du sommeil de Montréal 1990-2006

I moved to Montréal on the night train. I’ve lived in eight neighbourhoods since and each has had a different quality of sleep. There are eight hours for sleeping in, four quarters in each hour, many more quarters in each city. Some quarters never sleep, or so they say. Others seem to be built for dreaming in. These are les huit quartiers du sommeil de Montréal 1990-2006: Car Crash Sleep, Bamboo Blind Sleep, Waterbed Sleep, Louvered Door Sleep, Purple Parakeet Sleep, Break and Enter Sleep, Gondola Sleep and Greek Sleep.

To navigate these neighbourhoods of sleep, take the night train to Montréal (warning: this method may take 16 years). Or do a Google Maps search for J. R. Carpenter les huit quartiers du sommeil de Montreal 1990-2006 and view the user generated content (warning: this method may return variable results). Or follow a direct link to the Google Map of les huit quartiers du sommeil here: http://luckysoap.com/huitquartiers

A Note on the Type: I wrote the text of les huit quartiers du sommeil during a bout of insomnia at Yaddo, January-February 2007. Thanks everyone at the Yaddo dinner table for listening to the thunks and whirrings of this text coming to life. Thanks CALQ for helping me get to Yaddo. I built the Google Maps and HTML versions of huit quartiers in Montréal May-July 2007. Thanks Sandra Dametto for the brilliant idea, and thanks Michael Boyce and Lisa Vinebaum for the careful readings. The aerial photographs are totally copyright you, Google Earth. Thanks in advance for having a sense of humour. The other images were found using Google Images and then altered using Photoshop filters until they looked like something I would do. Except for the street maps, those I drew by hand as you can probably tell. Merci Daniel Canty, your English is better than mine. Et merci Stéphane Vermette pour tous.

les huit quartiers du sommeil de Montréal 1990-2006
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Greetings From Entre Ville

Entre Ville is a web art project based on a heat wave poem.

It was commissioned by OBORO, a Gallery and New Media Lab in Montréal. The commission was made possible by the Conseil des arts de Montréal. In 2006, on the occasion of their 50th anniversary, the Conseil solicited commissions of new works in each of the artistic disciplines that it funds. Tasked with selecting the New Media commission, Daniel Dion – Director and Co-Founder of OBORO – felt that a web-based work had the most potential to be accessible to a wide range of Montréaliase for the duration of the anniversary year and beyond. The commission included a four-week residency at the OBORO New Media Lab.

OBORO Studio 3

Entre Ville launched at the Muse des beaux-arts de Montréal on April 27, 2006.

Un 50e anniversaire – En ville et sur l’île
Pierre Vallée – Le Devoir – Édition du samedi 29 et du dimanche 30 avril 2006

On April 27, 2007, exactly one year after its launch, I will present Entre Ville: this city between us at MiT5: creativity, ownership and collaboration in the digital age, the fifth conference in MIT’s Media in Transition Conference series. MIT, Cambridge, MA, USA. April 27-29, 2007.

This conference paper was a joy to write, a testament to what a pleasure it’s been to represent OBORO and the Conseil des arts de Montréal. I’ve posted a slimmed down presentation version on Entre Ville [click on the Bibliotheque Mile End] or follow this link: Entre Ville: this city between us

Entre Ville

Summer is coming. Step into the heat.
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The Electronic Literature Collection Volume 1

THE CAPE – a recent web art fiction – has been included in the Electronic Literature Collection Volume 1, edited by N. Katherine Hayles, Nick Montfort, Scott Rettberg, and Stephanie Strickland, now available in CD-ROM format and online: http://collection.eliterature.org/

The Electronic Literature Collection Volume 1 features 60 digital literary works by: Jim Andrews, Ingrid Ankerson, babel, Giselle Beiguelman, Philippe Bootz, Patrick-Henri Burgaud, J.R. Carpenter, John Cayley, M.D. Coverley (Marjorie Luesebrink), Martha Deed, David Durand, escha, Damien Everett, Sharif Ezzat, Edward Falco, Mary Flanagan, Marcel Fr’emiot, Elaine Froehlich, geniwate, Loss Peque~no Glazier, Kenneth Goldmith, Tim Guthrie, Richard Holeton, Daniel C. Howe, Jon Ingold, Shelley Jackson, Michael Joyce, Aya Karpinska, Robert Kendall, Deena Larsen, Kerry Lawrynovicz, Donna Leishman, Bill Marsh, Talan Memmott, Maria Mencia, Judd Morrissey, Brion Moss, Stuart Moulthrop, Jason Nelson, Marko Niemi, Millie Niss, Lance Olsen, Jason Pimble, William Poundstone, Kate Pullinger, Melinda Rackham, Aaron A. Reed, Shawn Rider, Jim Rosenberg, Megan Sapnar, Dan Shiovitz, Emily Short, Alan Sondheim, Brian Kim Stefans, Reiner Strasser, Dan Waber, Noah Wardrip-Fruin, Rob Wittig, Nanette Wylde.

The Electronic Literature Collection Volume 1 is an initiative of the Electronic Literature Organization (ELO), a non-profit organization established in 1999 to promote and facilitate the writing, publishing, and reading of electronic literature, headquartered at The Maryland Institute for Technology in the Humanities (MITH) at the University of Maryland, College Park: http://eliterature.org
THE CAPE
AUTOSTART – A Festival of Digital Literature – will celebrate the Electronic Literature Collection Volume 1 in a series of workshops, discussions, readings and jams at the Kelly Writers House, 3805 Locust Walk, University of Pennsylvania, Philadelphia, PA, USA on October 26 & 27, 2006: http://writing.upenn.edu/wh/autostart.html

WARNING: Cape Cod is a real place, but the events and characters of THE CAPE are total fiction. The photographs have been retouched. The diagrams are not to scale. Don’t believe everything you read: http://Luckysoap.com/thecape
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Drunken Boat Panliterary Awards


Finally! Drunken Boat # 8 is now online!

This fat new issue features winners and finalists of the inaugural Drunken Boat Panliterary Awards, including my web art project How I Loved the Broken Things of Rome – a finalist in the Web Art Category.
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Broken Things Closing Party

Come on out to MOCCA tonight for the closing party of the 19th Annual Images Festival. With DJ Kola. Performance by Tammy Forsythe. Outdoor projections by John Oswald. And me, and How I Loved the Broken Things of Rome.


9-12 pm, MoCCA (952 Queen Street W), FREE
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Public Reception Today at MOCCA

HOW I LOVED THE BROKEN THINGS OF ROME

a a hypertext/ poetry/ video/ installation J. R. Carpenter

Public Reception Today: Saturday April 15, 2 – 6PM

Museum of Contemporary Canadian Art
952 Queen Street W.,Toronto, ON, CANADA

Presented in Association With the 19th Annual imagesFestival

If you can’t join us at MOCCA today, you can also visit How I Loved the Broken Things of Rome online any time at: http://luckysoap.com/brokenthings

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