Exited thoughts now long to travel

We had a flurry of out of town visitors this fall. All those folks who said they were coming Montréal this summer left it to the last minute. And they all came at once. We didn’t quite get to spend time with everyone who passed through town in the past few weeks. But we really enjoyed those we did see. The spare futon is folded up for winter now. In less than a week I hitch up the horses and head west to Wyoming.

iam mens praetrepidans auet uagari,
iam laeti studio pedes uigescunt.

Exited thoughts now long to travel;
Glad feet now tap in expectation.

Catullus, XLVI

I pulled my suitcase from the closet so my dog would get used to seeing it around. But so far I’ve put nothing in it. It’s hard to pack for six weeks in a place you’ve never been before. What to wear in Wyoming in November? Correspondence with the Ucross Foundation indicates that the weather will be highly unpredictable save in this one fact: there will be wind, lots of wind.

Where is Ucross? People keep asking me. It’s in Wyoming, in the foothills of the Big Horn Mountains. Where’s that? You know in the movies, when the wagon trains are slowly advancing westward across the plains and then finally some mountains appear in the near distance? That’s my idea of where Ucross is: on the ranch just before the mountains begin.

USGS Topographical map of Ucross, WY

Aerial Photograph of Ucross, WY

The Ucross Foundation website offers up this historical narrative:

The Ucross Foundation occupies a cluster of buildings collectively known as Big Red. The Ranch House is one of the oldest standing houses in the area and tepee rings on the hills hint at a much earlier history as first nation hunting grounds. Built in 1882, the Big Red Barn was a former Pony Express stop, and was on the stagecoach route that serviced Buffalo to Clearmont from 1891-1911. Having missed the last coach by 95 years, I’ll fly into Sheridan on Big Sky Airlines out of Denver. And now that the Internet has put the Pony Express out of business, I’ll rely on wi-fi for communication with the outside world.

The village that grew up around Big Red went through several name changes, eventually settling on Ucross, named after the original Pratt & Ferris brand. Here is a photograph of ranch hands taking a break at the Big Red Ranch in 1898:


American Heritage Center, University of Wyoming

So far, this is the only photographic indication I have of what to wear in Wyoming. See the seated guy with the beard on the bottom right? That’s the look I’m going for. Minus the beard though.
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The Electronic Literature Collection Volume 1

THE CAPE – a recent web art fiction – has been included in the Electronic Literature Collection Volume 1, edited by N. Katherine Hayles, Nick Montfort, Scott Rettberg, and Stephanie Strickland, now available in CD-ROM format and online: http://collection.eliterature.org/

The Electronic Literature Collection Volume 1 features 60 digital literary works by: Jim Andrews, Ingrid Ankerson, babel, Giselle Beiguelman, Philippe Bootz, Patrick-Henri Burgaud, J.R. Carpenter, John Cayley, M.D. Coverley (Marjorie Luesebrink), Martha Deed, David Durand, escha, Damien Everett, Sharif Ezzat, Edward Falco, Mary Flanagan, Marcel Fr’emiot, Elaine Froehlich, geniwate, Loss Peque~no Glazier, Kenneth Goldmith, Tim Guthrie, Richard Holeton, Daniel C. Howe, Jon Ingold, Shelley Jackson, Michael Joyce, Aya Karpinska, Robert Kendall, Deena Larsen, Kerry Lawrynovicz, Donna Leishman, Bill Marsh, Talan Memmott, Maria Mencia, Judd Morrissey, Brion Moss, Stuart Moulthrop, Jason Nelson, Marko Niemi, Millie Niss, Lance Olsen, Jason Pimble, William Poundstone, Kate Pullinger, Melinda Rackham, Aaron A. Reed, Shawn Rider, Jim Rosenberg, Megan Sapnar, Dan Shiovitz, Emily Short, Alan Sondheim, Brian Kim Stefans, Reiner Strasser, Dan Waber, Noah Wardrip-Fruin, Rob Wittig, Nanette Wylde.

The Electronic Literature Collection Volume 1 is an initiative of the Electronic Literature Organization (ELO), a non-profit organization established in 1999 to promote and facilitate the writing, publishing, and reading of electronic literature, headquartered at The Maryland Institute for Technology in the Humanities (MITH) at the University of Maryland, College Park: http://eliterature.org
THE CAPE
AUTOSTART – A Festival of Digital Literature – will celebrate the Electronic Literature Collection Volume 1 in a series of workshops, discussions, readings and jams at the Kelly Writers House, 3805 Locust Walk, University of Pennsylvania, Philadelphia, PA, USA on October 26 & 27, 2006: http://writing.upenn.edu/wh/autostart.html

WARNING: Cape Cod is a real place, but the events and characters of THE CAPE are total fiction. The photographs have been retouched. The diagrams are not to scale. Don’t believe everything you read: http://Luckysoap.com/thecape
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Ucross Preparations

At the end of October I head west for a six-week writing residency at the Ucross Foundation: http://www.ucrossfoundation.org Ucross is located on a 22,000-acre ranch in the foothills of the Big Horn Mountains near Sheridan Wyoming. The artists-in-residence program operates out of the fully restored Clear Fork headquarters of the Pratt and Ferris Cattle Company, built in 1882. Only four writers and four studio artists are granted residence at one time. Some of my more urban friends shudder at the thought of such a rustic and isolated setting. I can’t wait. Preparations so far include: the purchase of a wind-proof/water-proof jacket and reading up on high-country geology. John McPhee says of Wyoming’s topography: every scene is temporary, and is composed of fragments from other scenes. A perfect setting for fiction writing.

“Wyoming, at first, glance, would appear to be an arbitrary segment of the country. Wyoming and Colorado are the only states whose borders consist of four straight lines. That could be looked upon as an affront to nature, an utterly political conception, an ignoring of the outlines of physiographic worlds, in disregard of rivers and divides. Rivers and divides, however, are in some ways unworthy as boundaries, which are meant to imply a durability that is belied by the function of rivers and divides. They move, they change, and they go away. Rivers, almost by definition, are young. The oldest river in the United States is called the New River. It has existed (in North Carolina, Virginia, and West Virginia) for a little more than one and a half per cent of the history of the world. In epochs and eras before there ever was a Colorado River, the formations of the Grand Canyon were crossed and crisscrossed, scoured and dissolved, deposited and moved by innumerable rivers. The Colorado River, which has only recently appeared on earth, has excavated the Grand Canyon in very little time. From its beginning, human beings could have watched the Grand Canyon being made. The Green River has cut down through the Uinta Mountains in the last few million years, the Wind River through the Owl Creek Mountains, the Laramie River through the Laramie Range. The mountains themselves came up and moved. Several thousand feet of basin fill has recently disappeared. As the rock around Rawlins amply shows, the face of the country has frequently changed. Wyoming suggests with emphasis the page-one principle of reading in rock the record of the earth: Surface appearances are only that; topography grows, shrinks, compresses, spreads, disintegrates, and disappears; every scene is temporary, and is composed of fragments from other scenes. Four straight lines – like a plug cut in the side of a watermelon – should do as well as any to frame Wyoming and its former worlds.”

John McPhee, Rising from the Plains, NY: FSG, 1986, pages 28-29.
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Expozine 2006

Expozine – Montreal’s annual small press, comic and zine fair – is now in it’s fifth year! This year’s edition will take place on Saturday November 25, 2006 from 11 am to 6 pm, at 5035 St-Dominique, between St-Joseph and Laurier.

This incredible event brings together over 200 creators of all kinds of printed matter in both English and French. In the past five years, Expozine has grown to become one of North America’s largest small press fairs, attracting thousands of visitors as well as exhibitors from as far afield as Chicago, Toronto, Ottawa, and Quebec City! This year’s edition promises to be the biggest yet!

To reserve a table at Expozine, fill out the online registration form before November 1, 2006: http://www.expozine.ca. You may also register by phone by calling 514-278-4879, or in person at Monastiraki, 5478 St-Laurent corner St-Viateur, from Wednesday to Sunday from 11-5 p.m.

Expozine is also looking for sponsors. For information on becoming a sponsor: expozine [at] archivemontreal.org or call 514-282-0146.
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Sniffing for Stories In-situ

Want to go for a walk?
If you were a dog that would be a great opening line.

Want to go for an interdisciplinary audio walking tour of Mile End? If so, head over to the Casa del Popolo this weekend to partake in In-situ Cité, an ensemble audio piece created by five Montreal-based artists.

My contribution to In-situ Cité is called Sniffing for Stories. It’s a prose poem. It’s one block long. It’s a long block. It’s a walk we walk every day. Here’s an excerpt:

We take other walks besides this one, but lets say we don’t.
Let’s say our dog walks us up and down this alleyway three times a day.
That’s eight-and-a-half years of up and eight-and-a-half years of down.
Nine thousand three hundred laps of toenails clicking on cracked concrete.
Trail zigzagging, long tail wagging, long tongue lolling, dog tags clacking.
Ears open, eyes darting, nose to the ground.
READ THE REST OF SNIFFING FOR STORIES >>>

To hear Sniffing for Stories in-situ head over to the Casa del Popolo between 12 & 5PM on Saturday September 30 or Sunday October 1, 2006. I will be at the Casa from 4PM on the Saturday for a talk-back session with the director, Stephen Lawson.

The tour is free. It lasts about an hour. You’ll be equipped with a map of the route and a CD player. For further such logistical information visit: http://luckysoap.com/statements/sniffingforstories.html

Sniffing for Stories in In-situ Cité
Casa del Popolo, 4873 boul. St-Laurent.
September 30 & October 1, 2006
Between 12 & 5pm

INFO & RESERVATIONS: 514.843.3685

In-situ Cité is presented by Playwrights’ Workshop Montréal in collaboration with Les Journées de la Culture, OBORO & CKUT.
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Two Generations – Abridged

Rachelle Viader Knowles has written an article about her FORMER RESIDENT PROJECT for the online journal GLOWLAB – recommended reading for those I’ve inexpertly explained the project to in recent weeks.

Although I have yet to see photographic evidence, Rachelle assures me that my short story, Two Generations Ago, is now printed on a fridge-magnet affixed to the Williamsburg Bridge. The story is most certainly online, along with those of the other participants: Charlotte Barker, David Khang, Adriene Jenik, Carol Weliky, Kim Morgan, Jenny Levison, Marlena Corcoran, Jessica Greenberg, Myron Moss, Jane Deschner, Rupert Hartley, Suzanne Lindgren and Michelle Jacques.

Thanks Rachelle, for allowing my tenuous former resident of Brooklyn status. I hope I also sort of used to live wherever you set your next FORMER RESIDENT PROJECT.
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Sniffing for Stories on Cinq à Six

Tune into Cinq à Six on CBC RadioOne 88.5 FM in Montréal at 5PM this evening to hear an interview Host Patti Schmidt recorded with me earlier this week about In-situ Cité. I read an excerpt from Sniffing for Stories, and then we went on to talk about all kinds of other stuff. So fun. You can also listen online: http://www.cbc.ca/cinqasix/

In-situ Cité takes place next weekend, Saturday September 30 & October 1 between Noon and 5PM. The start-off point is the Casa del Popolo, 4873 boul. St-Laurent. My Entre Ville mini-books will be on sale there and I will be at the Casa for a talkback session with In-situ Cité Director Stephen Lawson Saturday at 4PM. For more information follow the above links and/or to make reservations call: 514.843.3685
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Glass Psalms

Jonathan Garfinkel’s Glass Psalms found their way into my mailbox yesterday.
A bright-grey Monday.
My borrowed wireless connection down.
My apartment drowning in construction site sounds.
In a procrastination stained undershirt I lay down to read.
A fat housefly droned a monotone davvening route around the room.
Prayed at the closed window for summer not to be over.
The Saint Urbain Street trees leaned toward red.
The noon-hour traffic stop-and-go windshield glare.
Wrote dry leaf shadow scripts across the cracked walls of my salon-double.
The week before Rosh Hashanah.
The last few pages of the year ink-smudged and dog-eared.
And me impatient for something new.
Glass Psalms found their way into my mailbox.

Garfinkel writes:

On Rosh Hashonah it is written

The universe
a Gothic Romance
God carries around
in Her pocket.

God the novelist,
ventriloquist and invisible
comic. We
the ink,
slip carefully
toward the page…

Thank you Jonathan, for Psalms at just the right time.
l’shanah tova, JR
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Drunken Boat Panliterary Awards


Finally! Drunken Boat # 8 is now online!

This fat new issue features winners and finalists of the inaugural Drunken Boat Panliterary Awards, including my web art project How I Loved the Broken Things of Rome – a finalist in the Web Art Category.
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Two Generations Ago

Two Generations AgoLook for my very short story, Two Generations Ago, on the streets of Brooklyn this September. Literally. It will be on on a street somewhere near the Williamsburg Bridge.

Rachelle Viader Knowles has included the story in her FORMER RESIDENT PROJECT, which launches during Conflux Festival September 14 – 17, 2006, in Brooklyn NY, USA.

THE FORMER RESIDENT PROJECT explores the city through the narratives of the no-longer resident, people whose lives have been shaped by their experiences of places they no longer inhabit. For many of us, ‘residence’ is a multiple thing, a series of narratives and residues that shift and slip over time. When we leave a place, what do we take? And what do we leave behind? The project includes stories donated by former ‘residents’ of Brooklyn about something that happened in a particular location. Each story has been printed onto a fridge magnet and posted near that location. The the address are listed on the website: http://www.former-resident-project.net

If you don’t happen to be in Brooklyn you can also read my story here:
Two Generations Ago
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