Even in blowing snow.
Go out anyway.
Don’t stay in.
Take a chance.
Think: It’s a good cause.
Buy the last ticket.
Cross fingers, arms and legs.
Allow for hope to enter.
Let it sink in.
. . . . .
Even in blowing snow.
Go out anyway.
Don’t stay in.
Take a chance.
Think: It’s a good cause.
Buy the last ticket.
Cross fingers, arms and legs.
Allow for hope to enter.
Let it sink in.
. . . . .
Frozen snow falls diagonally,
an off the shoulder gown
whiter then my winter skin
brighter than the sky.
The back balcony sets sail,
a ship’s prow jutting out
over a swirl of deep-sea nothing,
bad weather to make decisions in.
. . . . .
Rilke writes:
“Nobody can advise and help you, nobody.”
The best advice I’ve had in ages.
But hey, don’t listen to me.
. . . . .
The 5 á 7 started at 6PM.
At half past nine
the guest of honour
raided the host’s fridge.
By eleven we had
sit-down dinner for ten.
Home by one.
. . . . .
An old friend came in from out of town.
We walked down the wind-licked esplanade.
I left the ice-free side of sidewalk to him.
“You’re a good walker,” he said.
Dogs passed, pulling their owners toward the park.
“This is the scenic route,” I explained.
Noon caught in the teeth of grey high trees.
Each in our own clip-on sunglasses,
We squinted at different tints of bright.
. . . . .
Woolly gusts out there.
We sleep in a heap.
A regular woodpile.
Snore-sawing logs.
. . . . .
Big new flakes fall all over themselves.
Flowerboxes grow white moustaches.
Clotheslines sag, fat as sausages.
Tonight, the forecast turns mean.
. . . . .
Ovid turns many men to birds and beasts.
But mostly women, it seems, make like trees and leave.
Daphne, fleeing Phoebus, wind flowing in her dress,
“Called ‘Father, if your waters still hold charms
to save your daughter, cover with green earth
This body I wear too well,” and as she spoke
A soaring drowsiness possessed her; growing
In earth she stood, which thighs embraced by climbing
Bark, her white arms branches, her fair head swaying
In a cloud of leaves; all that was Daphne bowed
In the stirring of the wind, the glittering green
Leaf twined within her hair and she was laurel.”
Dryope did not ask for her tree-grown prison.
She picked a bright lotus at the stilled edges of a lake.
A cursed flower, the body of another chased woman,
Lotis, who turned to plant to escape naughty Priapus.
Dryope turned to run, but “her feet were caught,
Held into earth and grass, and as she swayed,
Only her arms and shoulders were swung free.
Rough bark crept up her legs, her thighs,
And as she felt it creep, she tore her hair,
Only to find her fingers full of leaves.”
A lotus tree her last fair disguise, she pleads:
“Let neither steel nor tooth break though these boughs,
nor senseless cattle eat away my leaves.”
After Orpheus lost Eurydice the second time,
he turned to singing and preferred the love of boys.
“The songs that Orpheus sang brought creatures round him,
All beast, all birds, all stones held in their spell.
But look! There on a hill that overlooked the plain,
A crowd of raging women stood, their naked breasts
Scarce covered by strips of fur. They gazed at Orpheus
Still singing, his frail lyre in one hand.
Her wild hair in the wind, one naked demon cried,
‘Look at the pretty boy who will not have us!’
And shouting tossed a spear aimed at his mouth.”
“The screams of women, clapping of hands on breasts and thighs,
The clattering tympanum soon won their way
Above the poet’s music; spears found their aim,
And stones turned red, streaked by the singer’s blood.”
Guess the punishment for the murder of Orpheus:
Lyaeus captured the Thracian madwomen
“Who saw him die, trussed them with roots,
And thrust their feet, toes downward, into earth.
As birds are trapped by clever fowlers in a net,
Then flutter to get free, drawing the net still tighter
Round wings and claws, so each woman fought,
Held by quick roots entangling feet and fingers,
Toenails in earth, she felt bark creeping up her legs,
And when she tried to slap her thighs, her hands struck oak;
Her neck, her shoulders, breasts were oak-wood carving;
You’d think her arms were branches – you’re not wrong.”
. . . . .
Moroccan oranges and a bottle of wine in hand, I set out
to a dinner party so close to home that it was impossible
to arrive flushed or even fashionably late.
. . . . .
Rush hour walled in the concrete Metropolitan.
Flat bread and fruit bowl in the back seat.
We inched our way toward dinner.
The city-glow pushed us across the river.
Night fell over the bridge.
. . . . .