NON-LINEAR NARRATIVES & MULTI-MEDIA POETICS: AN INTRODUCTION TO ELECTRONIC LITERATURE
I am teaching an electronic literature workshop through the Quebec Writers' Federation on Saturday, March 28, 10:00 a.m. to 4:00 p.m. 1200 Atwater Avenue, Suite 2 (2nd-floor computer lab). This workshop is ideal for experienced writers interested in expanding their existing practices to include web-based forms of non-linear, interactive, intertextual and/or networked literature
The one-day workshop will provide an introduction to reading and writing web-based electronic literature. Electronic literature combines literary and new media practices, resulting in multi-media literary works that couldn’t exist in print form. Consideration of technology at the level of the creation of the text distinguishes electronic literature from e-books, digitized versions of print works, web publishing and other products of print authors ‘going digital,’ none of which will be discussed in this workshop. Unbound by pages and the printed book, electronic literature moves freely across the web, through galleries, performance spaces, and museums, yet does not reside in any single medium or institution. Electronic literature often intersects with conceptual art, web art and sound art, but the reading and writing of electronic literature is situated within the literary arts.
This workshop will begin with a brief historical background of the genre, including a discussion of some of the pre-web literary forms that digital writing evolved from. We will focus on looking at, reading and understanding works of electronic literature. I will show some of my work and explain how it was built, then propose a number of ways for beginners to approach the web medium for the creation and dissemination of texts. In particular, we will look at ways to use existing Web 2.0 structures to create distributive literary works. Writing exercises will include: writing 140-character stories in Twitter and writing postcard stories in Google Maps. There will be some technical discussion of how these works function, but prior knowledge of web programming is not required.
If participants have electronic literature projects in mind, we can discuss strategies for creating these works. Visual and new media artists who use are using text in their work and wish to learn more about the literary aspects of digital writing will also find this workshop useful, as will avid readers of experimental literature from Calvino to Borges, and anyone interested in audio/video mashup, performance, remix culture, etc., who wishes to learn about this exciting new hybrid, hypermedia genre.
A list of links to online resources, further technical resources and venues for reading and submitting electronic literature will be provided. For registration information, please visit: http://www.qwf.org/workshops/spring2009/carpenter.html.
J. R. Carpenter is winner of the QWF's 2008 Carte Blanche Quebec Prize and the 2003 & 2005 CBC Quebec Short Story Competition. Her electronic literature has been presented at Jyväskylä Art Museum (Finland), Musée des beaux-arts de Montréal, Museum of Contemporary Canadian Art (Toronto), Electronic Literature Collection Volume One Web Biennial 2007 (Istanbul), Rhizome.org and Turbulence.org. Her short fiction has been anthologized and published widely. Her first novel, Words the Dog Knows, was published by Conundrum Press (Montreal, 2008). She serves as President of the Board of Directors of OBORO New Media Lab in Montreal.
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The one-day workshop will provide an introduction to reading and writing web-based electronic literature. Electronic literature combines literary and new media practices, resulting in multi-media literary works that couldn’t exist in print form. Consideration of technology at the level of the creation of the text distinguishes electronic literature from e-books, digitized versions of print works, web publishing and other products of print authors ‘going digital,’ none of which will be discussed in this workshop. Unbound by pages and the printed book, electronic literature moves freely across the web, through galleries, performance spaces, and museums, yet does not reside in any single medium or institution. Electronic literature often intersects with conceptual art, web art and sound art, but the reading and writing of electronic literature is situated within the literary arts.
This workshop will begin with a brief historical background of the genre, including a discussion of some of the pre-web literary forms that digital writing evolved from. We will focus on looking at, reading and understanding works of electronic literature. I will show some of my work and explain how it was built, then propose a number of ways for beginners to approach the web medium for the creation and dissemination of texts. In particular, we will look at ways to use existing Web 2.0 structures to create distributive literary works. Writing exercises will include: writing 140-character stories in Twitter and writing postcard stories in Google Maps. There will be some technical discussion of how these works function, but prior knowledge of web programming is not required.
If participants have electronic literature projects in mind, we can discuss strategies for creating these works. Visual and new media artists who use are using text in their work and wish to learn more about the literary aspects of digital writing will also find this workshop useful, as will avid readers of experimental literature from Calvino to Borges, and anyone interested in audio/video mashup, performance, remix culture, etc., who wishes to learn about this exciting new hybrid, hypermedia genre.
A list of links to online resources, further technical resources and venues for reading and submitting electronic literature will be provided. For registration information, please visit: http://www.qwf.org/workshops/spring2009/carpenter.html.
J. R. Carpenter is winner of the QWF's 2008 Carte Blanche Quebec Prize and the 2003 & 2005 CBC Quebec Short Story Competition. Her electronic literature has been presented at Jyväskylä Art Museum (Finland), Musée des beaux-arts de Montréal, Museum of Contemporary Canadian Art (Toronto), Electronic Literature Collection Volume One Web Biennial 2007 (Istanbul), Rhizome.org and Turbulence.org. Her short fiction has been anthologized and published widely. Her first novel, Words the Dog Knows, was published by Conundrum Press (Montreal, 2008). She serves as President of the Board of Directors of OBORO New Media Lab in Montreal.
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Labels: electronic literature, QWF, workshop
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