Reading List 2007

Gordon Lish, Dear Mr. Capote
Peter Carey, My Life As A Fake
N. Katherine Hayles, My Mother Was a Computer
Marshall McLuhan, The Medium is the Message
Emily Holton, Little Lessons in Safety
William Gibson, Neuromancer
Bernard Cooper, Maps to Anywhere
Andy Brown, The Mole Chronicles
Zoe Whittall, Bottle Rocket Hearts
Lance Blomgren, Walkups
Mary Shelley, Frankenstein
Gail Scott, My Paris
Melissa A. Thompson, Dreadful Paris
Jorge Louis Borges, Ficciones
Angela Carr, Ropewalk
David Markson, Reader's Block
Jonathan Lethem, Men And Cartoons
Ellen Ullman, The Bug
James Salter, Dusk
Steve Almond, My Life in Heavy Metal
Dave Eggers, How We Are Hungry
Lucretius, The Nature of the Universe
Amiee Bender, The Girl in the Flammable Skirt
Grace Paley, The Little Disturbances of Man
Margaret Atwood, Power Politics
Corey Frost, My Own Devices (Airport Version)
Marguerite Yourcenar, The Dark Brain of Piranesi
Elizabeth Hay, Small Change
Elizabeth Bowen, The Heat of the Day
Aleksandar Hemon, The Question of Bruno
Martin Amis, The Information
Gregory Maguire, Wicked
Kelly Link, Magic for Beginners
Petronius, The Satyricon
Machiavelli, The Prince
Colin McAdam, Some Great Thing
Sam Shepard, Cruising Paradise
Nathaniel G. Moore, Let's Pretend We Never Met
Angela Hibbs, Passport
Don DeLillo, End Zone
Aimee Bender, An Invisible Sign of My Own
Shapard & Thomas, eds., Sudden Fiction International
Paul Virilio, Ground Zero
Sean Dixon, The Girls Who Saw Everything
Elisabeth Billiveau, Something to Pet the Cat About
Janet Kauffman, The Body in Four Parts
Carson McCullers, The Ballad of the Sad Café
Danzy Senna, Symptomatic
Lynda Barry, Cruddy
Virginia Woolf, The Waves
Larissa Lai, Saltfish Girl
Linn Ullmann, Stella Descending
Tobias Wolff, Old School
Nicole Brossard, Notebooks of Roses and Civilization
Alejo Carpentier, The Chase
Italo Calvino, Cosmicomics
Lorrie Moore, Self-Help
Charles Baxter, A Relative Stranger
Stanly Elkin, Van Gogh's Room at Arles
Rebecca Solnit, Wanderlust: A History of Walking
Christia Wolf, Cassandra
Shakespeare, A Midsummer Night's Dream
Iris Murdoch, The Italian Girl
Barry Yourgrau, Haunted Traveller
Shulamis Yelin, Stories from A Montreal Childhood
Joel Kotkin, The City: A Global History
Mark Anthony Jarman, 19 Knives
Joel Kotkin, The City: A Global History
Anne Carson, Autobiography of Red
Heather O'Neill, Lullabies For Little Criminals
Mary Gaitskil, Bad Behaviour
Denis Johnson, Jesus's Son
Elizabeth Smart, By Grand Central Station I Sat Down and Wept
Bruno Schulz, Sanatorium Under the Sign of the Hourglass
Bruno Schulz, The Street of Crocodiles
John Ruskin, The Stones of Venice
Junot Diaz, Drown
Lydia Davis, Varieties of Disturbance
Eudora Weltly, The Wide Net
Hortense Calisher, In the Absence of Angels
Lynn Freed, The Curse of the Appropriate Man
Truman Capote, A Tree of Night & Other Stories
Truman Capote, Other Voices, Other Rooms
Jane Mayhall, Sleeping Late on Judgement Day
Eleanor Clark, Rome and a Villa
Hortense Calisher, Saratoga, Hot
Jonathan Ames, Wake Up, Sir!
Steven Heighton, Flight Paths of the Emperor
Alan Gurganus, The Practical heart
Joy Williams, Escapes
Jay Rogoff, How We Came to Stand on That Shore
Joy Williams, Taking Care
Langston Hughes, The Best of Simple
Steven Millhauser, Enchanted Night
Alison Smith, Name All the Animals
Joan Leegant, An Hour in Paradise
Elizabeth Bishop, Questions of Travel
Raymond Carver, Will You Please Be Quiet, Please?
Janet Frame, The Reservoir
Janet Frame, Mona Minim and the Smell of the Sun
Carolyn Beard Whitlow, Vanished
Carolyn Beard Whitlow, Wild Meat
Robert Lowell, Lord Weary’s Castle
Flannery O'Connor, Wise Blood
Mary Robison, Days
Sylvia Plath, Ariel
Merce Rodoreda, Camellia Street

Reading List 2006 >>>

Reading List 2005 >>>
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The Year in Book(stores)s

2007 was a great year for reading. It started off at Yaddo where for six weeks I dined every evening in the Yaddo Authors Library. It was sometimes difficult to follow the thread of so many different dinner conversations going on at once between so many brilliant writers, painters, film and video makers and composers. Not least of all because we were surrounded on four sides by floor to ceiling shelves of books of Yaddo authors past and present dating back a hundred years. These humbling and motivating surroundings enabled a frenzied period of writing and reading impossible to sustain in the outside world.



Over the course of the spring I had occasion to travel to New York, Boston, Montpellier and Toronto for various different reason reasons. These cities are home to some of my favourite bookstores so I stocked up. In New York, in additions to the prerequisite trips to the Strand, a friend in publishing snuck me into his place of employ to peruse their impressive book room. I made out like a bandit. Bliss. In Boston/Cambridge the MIT Press bookstore and the Harvard Co-Op are favourites, in Montpellier Rivendale is an old friend and in Toronto, though Type is new and exciting, Pages can’t be beat.

I don’t know what they’re talking about in the media when they say: summer reading. It was a long hot slow loud disruptive unproductive and generally aggravating summer chez nous. There were lots of days when I couldn’t work at all. My idea of “not working” is reading. Does that count as summer reading? When there’s too much heat, humidity, construction and/or neighbour noise to read, I go for a walk. My idea of going for a walk is walking to the bookstore. One of the highlights of the summer was the move of S. W. Welch bookseller from the Main up into Mile End. If you’re trying to find me and I’m not home, look for me there: 225 Saint-Viateur West.

I also bought lots of new books in the fall on account of every single person I know in Montreal came out with a new book. For a few weeks in September/October there were launches and/or a readings 3, 4, even 5 nights a week. Happily, many of these events happened in bookstores. Nothing I love more than a bookstore jam-packed with people buying books and drinking booze. Some new favourite bookstores: Port de Tête Bookstore at 262 Mount-Royal Avenue East and the Drawn & Quarterly bookstore at 211 Bernard West.



The fall brought some exciting new writing projects my way. Each shifts the direction of my reading slightly. For “Tributaries & Text-Fed Streams” I am brushing up on my hypertext theory. For “in absentia” I’m delving into short French fiction. And I continue to be obsessed with very short English fiction. I’m happy to report that I’m working on a collection with Conundrum Press for fall 2008. So in addition to all this reading, I’d better get some writing done too!
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in absentia - DARE-DARE says farewell to Mile End

Back in September DARE-DARE - an artists-run centre founded in Montreal in 1985 - put out a call for submissions: Dis/location: projet d'articulation urbaine 2008. A fitting theme as DARE-DARE abandoned the white cube gallery ages ago. For the past few years they’ve been operating out of a sky-blue trailer parked in a Mile End park with no name under an overpass about three blocks from my apartment. In keeping with these circumstances their stated mandate is to support interdisciplinary projects that engage the social and physical realms of the city, its public spaces, its commercial, industrial and residential areas.



I submitted a proposal for project called “in absentia” – a web-based electronic literature project about gentrification and its erasure in the Mile End. I write dozens of proposals a year, but this one was different. First of all, I totally identified with the theme. Our apartment building went up for sale over the summer and we were feeling dislocated indeed. Secondly, I’d never encountered an application process quite like the one DARE-DARE proposes. In the first round you tell them who you are, what you do, what you want to do and why you want to do it with them. If they like where you’re coming from then they invite you to elaborate on where you’re going. This makes a lot of sense for projects that don’t exist yet. My project made it through to the second round. I found it a lot easier to write a more detailed proposal knowing that they were already interested.

In the end, DARE-DARE accepted “in absentia” for their 2008 season. It turns out they have a special affinity for the topic of gentrification - they're being evicted from their Mile End parking spot July 1st. "in absentia" will launch late in June - DARE-DARE's farewell to the neighbourhood. Now all I have to do is make the thing. More about that later.

More on DARE-DARE: http://www.dare-dare.org/
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Electronic Literature Workshops Online

This winter I’ll be giving five electronic literature workshops through Blue Metropolis’s Teleliterature Program. This series of on-line writing workshops is aimed at helping to develop students’ literary interests and creativity, to enrich the educational and cultural life of students in remote regions and to promote Quebec literature. Many well-known Québec authors have participated over the past five years. This will be the program’s first foray into the realm of electronic literature. It’s an exciting twist to this already Internet-based program. What better way to introduce students to electronic literature than via the Internet?

Each workshop lasts an hour. The teachers are asked to introduce the author, the pedagogical guide and to try some exercises before the session, so this week I’ve been writing lesson plans. Here kids, try this at home:


Introduction to Electronic Literature: Putting Your Postcard Stories On the Map

This one-hour workshop will introduce students to electronic literature, a genre of web-based writing that combines literary and new media practices. The workshop objectives are two-fold: to engage students in reading new and experimental literature online, and to encourage them to experiment with creating and sharing their own stories online.

Using examples from my own work, I will introduce possibilities for using the web creatively to tell stories, and discuss ways to use the web to reach a broad audience. Many of my web-based works combine short fiction with photography and maps to tell stories about places that are important to me. In one recent project, Entre Ville, I use poetry, photography and Quicktime video to tell stories about my back alleyway. In my most recent work, Les huit quartiers du sommeil, I use Google Maps to tell stories about the eight different Montreal neighbourhoods I’ve lived in.

I will invite the students to participate in the workshop by asking them bring with them to class a very short, 250-words or less, "postcard" story about a place that’s important to them. I will demonstrate how to use Google Maps "My Maps" to literally put their stories on the map. The students may choose to continue to experiment with Google Maps once the workshop is done. For example, they might create one map containing all their stories, and/or they might like to add photos to their maps. I will also provide links to many other works of electronic literature for the students to read/view.

For those of you following along at home, here are a few of the recommended readings:

Electronic Literature Organization
The Electronic Literature Organization was established in 1999 to promote and facilitate the writing, publishing, and reading of electronic literature. The ELO works to assist writers and publishers in bringing their literary works to a wider, global readership and to provide them with the infrastructure necessary to reach one another.

Electronic Literature Collection Volume One
The Electronic Literature Collection Volume One, published on the web and on CD-ROM, is intended to provide for reading, classroom use, sharing, and reference on and off the network. Anyone can request a free CD-ROM from: Electronic Literature Organization / Maryland Institute for Technology in the Humanities (MITH) / B0131 McKeldin Library / University of Maryland / College Park, MD 20742.

Electronic Literature: What is it? By N. Katherine Hayles
This essay surveys the development and current state of electronic literature, from the popularity of hypertext fiction in the 1980's to the present, focusing primarily on hypertext fiction, network fiction, interactive fiction, locative narratives, installation pieces, "codework," generative art and the Flash poem.

Drunken Boat – Online Journal
Issue 8 contains the Drunken Boat Panliterary Awards & links to other online journals.

Born Magazine
An experimental venue marrying literary arts and interactive media. Original projects brought to life through creative collaboration between writers and artists.
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