Telling Stories, Telling Tales

Babel, Babble, Rabble, On Language and Art is my second thematic residency at The Banff Centre. Ten Years ago I attended a residency called: Telling Stories, Telling Tales. I was 22 when I applied, and had never written and artist’s statement before. Given the theme, I thought a quasi-fictional tone would be appropriate. Here’s what I sent them:

I could tell you stories. Like the time I was three, and they brought my brother home from the hospital. My uncle ran out into the driveway with an afghan over his head. I could take you to Nova Scotia and show you the afghan. My mother still has it. Then would my story be true? I could take you to North Carolina and we could ask my uncle, but I think his mind’s gone soft with drink. I don’t know, he never writes…

Then when I was five I got in trouble with my teacher for saying that Jupiter had a ring like Saturn. She told my mother I was telling stories.

These stories build and feed and build and feed upon themselves and meet up with themselves around certain corners and repeat themselves and make less and less sense.

I told the story of Chanukah about 8,000 times to the Christian school children of rural Nova Scotia. No one ever believed me.

I train language around the obstacle course of truth, fiction, image and word. I position myself between reading and writing, between pulp fiction and cultural theory. In strange twists of the body, I hold myself between the theoretical convictions of Daily Life Montreal, the rural convictions of Childhood Nova Scotia, and the critical convictions of Grandmother New York. Just today I was a storyteller, a gossip, a theoretician, a geologist and a great fan of analytical geometry.

I could tell you stories about the first time I fell in love. I performed a comedia delle arte retinue of stories, a different one each night, but she didn’t want to hear them. I tried to bake them into a cornbread, but she wouldn’t eat it. So I let the long cool silences of late September afternoons speak for me. I lay in her bed and said nothing. The text left my face and became soft and my teeth melted around her nipple. I woke up in January and realized that she had not understood a word I had not said. I told her I was running away from home, leaving for the mountains, but that I would write her a letter everyday. She laughed at me. She said I was telling stories.
. . . . .

The First Day

I sit down to read.
On some steps in some sun.
A tall man passes, sporting sporting attire.
Stops and asks: What are you reading?
A book a friend lent me.
By friend, I mean: You don’t know me.
Who’s it by? He strikes a pose.
A racquet over his shoulder.
I hold the book up.
Let him read the cover himself.
By this I mean: Go away.
Is it good?
Yes.
Read me a line.
Now that’s a line.
No.
Just one.
A split-second staring match ensues.
He has sunglasses on and I don’t.
No fair.
I’m too tired, I say.
I mean: Of this.
He twirls his racquet at me.
I go back to reading.
It’s only the first day.
. . . . .

leaving on a jet plane, and also a bus

I’m Banff-ward bound, leaving early Sunday morning. For six weeks I’ll live on a mountainside with thirty other artists from around the world, all our work somehow relating to the theme of: Babel, Babble, Rabble: On Language and Art. Here’s the description: http://www.banffcentre.ca/programs/program.aspx?id=372

I’ll have email access while I’m there, though my spill-chick capabilities will be somewhat reduced. Please also feel free to send me snail mail. It’d make me feel ever so important. Everyone notes a trek up to the mailroom. Send me a postcard… write fiction on it. Here is the way:

J. R. Carpenter
On Language and Art
The Banff Centre
107 Tunnel Mountain Drive
Banff, Alberta
Canada
T1L 1H5
. . . . .